The Shining Company (Sutcliff)
May. 16th, 2013 09:05 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
cahnNote the first: I apparently always want to add an extra e to Sutcliff's name. Sigh.
Note the second: Oh, hey, by the way, rarewomen happened and ALSO DIDO FIC, including SF Dido!AU!(Here is where I squee about it — if you don't know the Aeneid, it's okay, you need only this post and this to read them — and here’s my reveal post and more nattering on about the Greek Myth SF AU (spoilers!).)
4/5. This book sat on my shelf for a month because I’ve only read Sutcliff’s Roman stuff (uh, two books) and I was kind of side-eyeing her taking on a Celtic subject. Um. Sometimes I’m kind of stupid. This was totally amazing: gorgeous prose and the research I expect from her and allllll my tropes as usual (loyalty, friendship, partnership, hard choices, etc.) and what the heck it’s a retelling of Y Goddodin. (I am thick. I did not realize this until Aneirin showed up.) WHAT. I think the last half of the book I kept on going !!!! Y Goddodin!!!!
I mean, I guess that if one looked at it rationally, one could come up with a lot of things that might be slightly obnoxious. There’s essentially no plot. The plot, such as it is, is, well, the plot of Y Goddodin, which is to say the plot of every Welsh poem ever. (Hint: The Welsh don’t make poetry about their awesome victories and how they totally crushed the other guy, dude. They just don’t. This is not a super-feel-good book.) The prose is sort of partially Welsh-reminiscent and partially Roman-Britain-reminiscent, which might bother someone who was a little more involved with the era than I.
But I don’t look at this book rationally :)
Note the second: Oh, hey, by the way, rarewomen happened and ALSO DIDO FIC, including SF Dido!AU!(Here is where I squee about it — if you don't know the Aeneid, it's okay, you need only this post and this to read them — and here’s my reveal post and more nattering on about the Greek Myth SF AU (spoilers!).)
4/5. This book sat on my shelf for a month because I’ve only read Sutcliff’s Roman stuff (uh, two books) and I was kind of side-eyeing her taking on a Celtic subject. Um. Sometimes I’m kind of stupid. This was totally amazing: gorgeous prose and the research I expect from her and allllll my tropes as usual (loyalty, friendship, partnership, hard choices, etc.) and what the heck it’s a retelling of Y Goddodin. (I am thick. I did not realize this until Aneirin showed up.) WHAT. I think the last half of the book I kept on going !!!! Y Goddodin!!!!
I mean, I guess that if one looked at it rationally, one could come up with a lot of things that might be slightly obnoxious. There’s essentially no plot. The plot, such as it is, is, well, the plot of Y Goddodin, which is to say the plot of every Welsh poem ever. (Hint: The Welsh don’t make poetry about their awesome victories and how they totally crushed the other guy, dude. They just don’t. This is not a super-feel-good book.) The prose is sort of partially Welsh-reminiscent and partially Roman-Britain-reminiscent, which might bother someone who was a little more involved with the era than I.
But I don’t look at this book rationally :)
no subject
Date: 2013-05-22 05:16 am (UTC)You might also want to check out hedgebird's general Sutcliff recs, idk (I disliked Warrior Scarlet intensely and it falls smack into the bronze age danger zone, though).
no subject
Date: 2013-05-22 04:17 pm (UTC)