Merry Christmas? and happy Yuletide? and happy New Year? As usual for this year, I am way behind, and actually I managed to drop or refuse to play with a number of balls over Christmas -- I think I had a minor case of burnout this year, which I'm sort of bemused by as I had a lot less going on than in previous years. I only had to organize not-all-that-much music for one morning (not two mornings, I did not have to organize the evening music-intensive performance), I didn't have to organize any instrumental rehearsals (Awesome Musical Family Mom: Should we get a bunch of people together to do an instrumental thing? Me: ...I'd be the one coordinating all these rehearsals, wouldn't I. ...no.), we didn't fly anywhere (which, given the weather, I'm rather grateful for). I did a lot of knitting instead of anything any more intensive than that.
Things I did do:
( Choir conducting, dad's memoirs, skiing )One more thing I did (a more conventional reveal post
here):
This fall I reread
The Perilous Gard, a kidlit/YA-ish (Newbery Honor) book from 1974 about a young woman who, in the last days of Mary Tudor's reign, gets sent to an out-of-the-way castle that may or may not be associated with the Fair Folk. This book I adore to little bits and pieces. I love everything about it, although on this reread I was amused to find that I have read the last third or so so many times that I basically have large portions of it memorized, and then the first two-thirds I only remembered rather vaguely. (although I really enjoyed rereading it! It's just that those parts are in a lot of ways setting up the last third, that was and is super iddy for me.)
( minor spoilers )All the characters are just wonderful, even the ones who have only very slight appearances. Kate's father shows up for... maybe a few paragraphs?? ...and he is delightful; you can totally see how important he is to Kate, and how important Kate is to him, and how Kate turned out the way she did <3 Sir Geoffrey has a fairly minor part in the story but he's also fully-formed and totally great! And the young future Elizabeth I has a single scene, but I've been imprinted with her and that's how I've thought of young Elizabeth ever since. And I love Alicia too! And as for the Lady, and the worldbuilding of the People Under the Hill, and Kate and Christopher... well, as I said to
selenak, I suppose one can't assign to this book
all my love of over-the-top all-but-adversarial banter to signify a close/other-self relationship, nor all my love of bowing/kneeling/curtseying to signify things that can't be said in words, but it certainly was, shall we say, formative :D And the fairies here are
other enough that I cannot read any current fairy YA these days, all of which seem to have fairies who act mostly like immature adolescents. (looking at you, Holly Black! Sorry!)
I've always loved that Kate gets to save the day, and she gets to save it rather a lot; one of the things that struck me in this reread was how
many times Kate's brain saves the day, but not in any way that feels overtly 21st-century (though her father clearly is progressive for his time in the way he teaches her, and Kate clearly is extremely intelligent and thoughtful). There are several things about her that save the day, of course, not just her intelligence -- also her stubbornness, also her ability to value what is real, also her compassion, also her sense of what's right -- but it was interesting to me on this read that it's
also in large part her intelligence and extreme dose of common sense, which leads her to realize e.g. that something's wrong with Christopher's story in the beginning, how to find Christopher under the Hill, how to get out near the end.
Another thing I loved was how Kate's and Christopher's rationality complement each other. Kate: as
skygiants said in
her awesome review, Kate Sutton has no TIME for your manpain. She will call Christopher out every time he's being Super Drama Emo Boy! Which is, admittedly, a lot of times! (also I ABSOLUTELY 100% LOVE that this is (yet another) major quality of hers that saves the day!) But then there's also the part where Christopher will also counter Kate's subconscious assumptions that he's Super Dramatic Romance Knight with things like, but what about worrying about cleaning out the drains!
Basically I love these two a lot. Kate in particular is just really an awesome heroine -- she's so individualistic that I felt it was hard for me to extrapolate what she'd think about a situation that wasn't in the book, which I feel I don't usually have a problem with. With Christopher, I did feel like I had a much better idea how he would respond.
he would talk about drainage, probablyThis was also the only example in my childhood that I can think of where, in the boy-girl romance, it is the boy who is described as extremely conventionally attractive and not the girl! I also love
( spoilers )Also also! one of my favorite lines continues to be the one that Kate thinks about the Guardian of the Well:
Questions, thought Kate savagely; why even now couldn't the thing tell a plain lie, like an honest man? (It's a line that comes near the climax of the book, in an incredibly tense scene, and yet it always makes me laugh when I come across it. It's so Kate. Kate is just so great.)