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Peter Schickele died yesterday, at the age of 88. He was a composer in his own right, but I at least knew him primarily as the man behind P.D.Q. Bach, (1807–1742)? "the twenty-first of Johann [Sebastian Bach]'s twenty children," the composer of many hilarious musical parodies.

I was introduced to Peter Schickele / P.D.Q. Bach by the orchestra kids I hung out with freshman year of college (L, T, and F) -- it was L who made me sit down and listen to the 1712 Overture, clearly taking great delight in introducing a newbie to it. I went to listen to it tonight in honor of Peter Schickele and was so charmed to find that there is a live performance of the 1712 Overture on Youtube. (Non-Americans might benefit from listening to the tunes of Yankee Doodle and Pop Goes the Weasel first.) I also love Schickele's Eine Kleine Nichtmusik, which he did have under his own name.

I introduced D to P.D.Q. Bach when we were dating, and when I told him the news of his death, D said, "They should perform the Missa Hilarious at his funeral." RIP, you gave laughter to a lot of people. <3
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Me: Now that it's mid-November, I've finally got the church Christmas program sorted and I can start catching up on other stuff, like DW and my Yuletide fic and beta --

Bishopric: Hey, just wanted to call and catch up on Christmas music and mention two things. First, the stake is holding a Christmas music celebration and is asking if our ward choir can participate.

Me: ???? This sounds... like not the best idea our stake has ever had...
...But anyway, a month ago when I asked what the guidance was on choirs, the bishop told me choirs were only possible masked and distanced (which I think is great) and I asked around and literally no one I talked to wanted to have choir under those restrictions. So we don't HAVE a choir. But we do have a small group of vaccinated people who were going to sing something and I guess I could ask them...

Bishopric: Cool, sounds legit! Also the First Presidency [global Church leaders; as you probably know this is an extremely hierarchical church, so this would be sort of like the Pope and the Vatican, I guess, except that people actually do what the First Presidency says, for the most part] this week was encouraging people to have Christmas programs on Dec 26. Not Dec 19, which is when you've planned everything for.

Me: ... okay. I guess... I'll ask everyone if they can do that.
[I should say that Bishopric guy was extremely apologetic! Totally not his fault, but gah.]

Bishopric: One last thing, we've historically had this Christmas ward musical fireside thing, do you think we should do that again now that we also have this stake music thing?

Me, remembering the multiple conversations I had in 2019 with other musicians saying "...don't you think this is all a bit much, we are all super stretched thin??": You know what, I'm super going to go with "no" on this one. If people complain bitterly we can tell them it was because of the pandemic (not even false, I was assuming we weren't going to have it this year because of the pandemic).

So last night (and part of tonight) instead of doing fun stuff I emailed/texted everyone involved, and I think got back that most people are going to be able to do stuff on Dec 26? Including the person who I wasn't sure was due to have a baby Dec 26 or Jan 2, but it turns out it's Jan 2 and so as long as she's support/coach and not directly performing, it seems like it will all be okay unless she goes into labor that day which she thinks is unlikely :) There might be minor drama with one person which hopefully will be easily fixed if everyone else is reasonable. Crossing my fingers on that one -- of the four people involved in the conversation, two of them I am super confident will be super reasonable, and then there is a small but nontrivial chance that Fourth Person will be unreasonable in the opposite direction. But aaaaaaah! (ETA: Fourth Person has responded entirely reasonably, YAY)

But at least I will probably not have to do anything for a ward musical fireside!
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-State of Christmas music: who even knows. I feel like as it has turned out there are a lot of moving parts that I'm unconvinced will all come together, but if it does, I think I have an outdoor instrumental program that lets people have a bit of some reasonably competent Christmas music while doing our best not to put anyone at risk? If our family or the other musical family in the ward turns out to have to quarantine during that time, maybe I don't have a program? As for the video part, I have pretty much given up on that, I have sent a lot of harassing emails and now it's up to them, I'll make a little video with the kids and everyone else can just make a little video or not, and anyone who does will post them to the ward Facebook page. What we really needed was someone who would string all the videos together so we could have a group watching experience, and no one including me was willing to do that. (This is also So Not My Job. This is the job I said no to last year when it was in person and *less* work.) But, like. What are they going to do, fire me? (...which... I would super not mind, except that it would probably mean being slotted into another calling that required more work or at least more work I was unsuited for. :) )

-State of Yuletide: ahahaha. I laugh. Honestly it is overall pretty low stress because this year I am writing short fun things and not trying to figure out ambitious or long ideas. But now I have somehow been sucked into helping out with a rather ambitious idea, so I am actually spending quite a bit more time than I'd anticipated on that. On the other hand, it is not my ambitious idea, so I don't actually have to be stressed about it. :) I'm really invested now, but it's great for me because I can do mostly the fun parts, lol.

-bonus bullet point: A chance remark online got me googling reusable menstrual pads, omg I was skeptical at first but I love these things so much, the best thing I've bought all year. I am using primarily ones from Tree Hugger Cloth Pads from Canada which, have I mentioned, are so great. I'll do a proper better review of them later... probably in January. But I have now finished my first month of using solely cloth pads and I am so happy.
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Sunday was E's orchestra concert. It was all virtual -- they did the thing where all the musicians sent in a video and then they put them all together. There are actually three youth orchestras associated with our symphony --there's the youngest beginner orchestra, the middle orchestra (the one E is in) with string ensemble (20 kids) and wind ensemble (10 kids) (usually they play together, but for this they split up and the wind ensemble did its own wind chamber music), and then the high-school-age youth orchestra, which has > 50 kids. Each group did one or two songs. E's group had some minor but noticeable issues with video synchronization, but I thought the lack of synchrony gave it realism ;) The high school youth orchestra did something I hadn't seen before (perhaps it's edited out of professional-ish videos) and which I thought was brilliant -- they clapped twice at the beginning, which I assume set up the synchronization point, and indeed the synchronization was very good.

I started tearing up when I noticed that the high-school percussionist was wearing a mask and realized he was the only one who couldn't record at home, as of course he had to do it in a place that had the percussion instruments. This kid, going to all this trouble to safely play a timpani in a big church by himself. (And actually he played all four percussion parts -- at first I thought there were four percussionists, but no, there was one kid doing all the parts. In more normal years past they brought in adult ringers.)

The thing is. Musicians will make music. That was a lot of work and a lot of trouble taken by a lot of people (and some work and trouble taken by a lot more people -- I won't say it was hard, but it also wasn't entirely trivial to set up and record E at home (she was playing with a previously recorded track on headphones while being recorded herself), and imagine that not-entirely-trivial-effort times all the orchestral musicians and parents!), and it happened just so they could make a bit of perfectly imperfect music sort-of-together for a few minutes. It is a testament to the sheer obstinate stubbornness of human beings, that we won't let something as silly as a pandemic and isolation stop us.

Lately I've been very skeptical and very cynical about human beings, but you know what? Sometimes human beings are awesome.

(E: "Wow, it sounds so different with the violins!" Hee, spoken like a true violist. She's the best. But it really is true -- the violas play this little deebeedeebeedee motif while there's this ~whole melody thing~ going on with the violins that we never heard until the concert!)
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So, at church I have an unofficial calling (as of last month) and (as of this morning) an official calling now! The unofficial calling is "music coordinator for the church Christmas music fireside," which people who have been around for several years might remember I did several years ago and it was a mess -- it is way less of a mess this year, thankfully -- and the official calling is "ward music chairman," which mostly means I wave my arms around on Sunday (this person also functions as the chorister) but might also mean I need to be involved in the morning church Christmas program.

Anyway, my December in numbers:

Number of church Christmas music events I have successfully completed: 1
Number of church Christmas music events yet to be completed: 3
Number of rehearsals I had for entirely different pieces with separate groups of people this weekend: 4
Number of times I am going to be performing in some capacity at the church Christmas music fireside next weekend: 4
Number of people who apparently wanted to perform "O Holy Night" at the fireside but did not tell me: 4
Number of people who actually did tell me she wanted to perform "O Holy Night": 1
Number of pieces that have been definitively planned for the morning church Christmas program: 0 (choir director and I are going to have a Talk tomorrow)
Number of people who are causing ~DRAMA~ in regards to the fireside: 0 (HUGE improvement over last time I had to do this)
Number of Yuletide fics I should probably be writing: 0
Number of Yuletide fics I am in fact writing: 2
Number of words I need to write in the next week while I'm also figuring out all the music stuff: ~1000
Number of words I could probably have written in the time it took me to write this: 100 (this fic is going kinda slowly)
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4/5. So I listened to clipping's Splendor and Misery experimental-hip-hop-space-opera album, which I had not heard of (because I live under a rock) before it was nominated for the Hugo.

TL;DR: It is awesome and you should listen to it (I listened to it on Spotify, but if you don't have spotify you can listen to it on YouTube, either the full album or tracks — 1-15 are the actual tracks, 16 is the full album, and 17 is a fanvid) and totally vote for it for the Hugo!

IT IS AWESOME. I mean, it's basically a Daveed Diggs tour-de-force showing him off in about twenty different ways (you know how fast he raps in "Guns and Ships" in Hamilton? I think he raps even faster here!), but also it's a space opera! and has all sorts of references to SF! and digs into questions about slavery and freedom and solitude and rhythm… It says something that the first thing I did after listening to it was… go back to the beginning and listen to it again.

From Sub Pop (clipping's label):

Splendor & Misery is an Afrofuturist, dystopian concept album that follows the sole survivor of a slave uprising on an interstellar cargo ship, and the onboard computer that falls in love with him. Thinking he is alone and lost in space, the character discovers music in the ship’s shuddering hull and chirping instrument panels. William and Jonathan’s tracks draw an imaginary sonic map of the ship’s decks, hallways, and quarters, while Daveed’s lyrics ride the rhythms produced by its engines and machinery. In a reversal of H.P. Lovecraft’s concept of cosmic insignificance, the character finds relief in learning that humanity is of no consequence to the vast, uncaring universe. It turns out, pulling the rug out from under anthropocentrism is only horrifying to those who thought they were the center of everything to begin with. Ultimately, the character decides to pilot his ship into the unknown—and possibly into oblivion—instead of continuing on to worlds whose systems of governance and economy have violently oppressed him.


It is elliptic and somewhat abstract and it's hard to piece together exactly what's going on (which may be a turnoff to some people, of course; for me it's kind of a draw). I have a couple of thoughts on this below.

Thoughts on the plot and specific tracks; spoilers, I guess )

I don't love it as much as Hamilton. Some of the reasons are my own proclivities: I really love the Broadway/hip-hop fusion of Hamilton and the way LMM plays with musical convention. The other thing is that there's a certain amount of emotional depth and range to Hamilton that is necessarily not present in S&M, given that there are only two characters, one of which is a computer. Diggs does a great job in infusing the computer with emotion over the course of the album (contrast "Baby Don't Sleep" with "The Breach") but it's still true that the range is basically [no-emotion anger], and that's pretty much it.

But! it is amazing and it totally, totally should get a Hugo.
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...and I missed one by a day! Sorry [personal profile] ollipop! Anyway, the question was: my very first music teacher.

As usual, this will be meandering and only tangentially related to the question you actually asked :) This one seems to have turned into "things my parents did right." :)

My aunt, who was a music teacher (and whose four daughters all played a musical instrument, all quite well), gave me a violin for my third birthday. I started going to Suzuki lessons with Mrs. B not long after. I don't remember anything of those early lessons. It was quite frustrating for my mom, according to her. (And now that I have my own kid whom I am subjecting to the same thing, I see what she means, although there are certain circumstances in my case which make it a little less frustrating for me.)

Mrs. B and Mrs. R, whose house was filled with books. )
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Okay, I have something to confess, which is that I enjoy talking about music drama. Because it is dramatic! (And because my life doesn't have that much of interpersonal drama otherwise, so I have to import it. Which I am perfectly fine with! I am not into interpersonal drama!)

But I am afraid that I'm leaving you guys with a terribly inaccurate portrayal of my ward, which basically had maybe three people generating all the drama, and honestly all three of those people are also really super nice as well, just with slightly different ideas. So let me tell you about all the nice things/people that happened to me this week alone, in planning this fireside:

1. The friend that I complained to about not having enough musical numbers for the fireside, who despite being super busy with family and work (he's a caterer, so this is his busy season) and family visiting, organized a quartet with another family by ONE HOUR LATER and all four of them have learned a completely new song for it

2. The woman who was at the root of much of the drama last year came to me and said that she wanted things to be good between us and that she was trying to work on not wanting to be in control of everything, and my gosh, this kind of thing never happens except in movies, you really have to be a big person to back out of a situation like that, I hope that I can be that gracious when I'm the one who needs to back out

3. The pianist with three kids, one of whom has ASD, who has cheerfully accepted everything I have piled on her (and I have piled a LOT on her)

4. The corporate chief administrative officer who has also cheerfully accepted all the piano assignments I have thrown at him, and I am pretty sure took off work for at least one rehearsal

5. The mom who is visiting our ward for only six months but nevertheless has cheerfully volunteered for everything, including running the Christmas party (a separate event in which I was not involved that happened last week, but let me assure you it was a LOT of work) and learning a random new song for the fireside, all this while having two kids under the age of 5 and being hugely pregnant with a third

6. The corporate CEO who when I asked him to perform at the fireside last week immediately was jazzed about singing a song with his kids

7. The mom who has four kids, the youngest being 1, and has a sister visiting, and who immediately accepted planning a trio and who also took dinner to the family that just had twins last night

8. The grandmother with the gorgeous voice whom I saw at rehearsal at 8:45pm one evening for one fireside number and whom I saw again the next morning at another rehearsal, for a different song, at 9am

9. The other people -- I have not talked about everyone in this post by a long shot -- who have been nothing but helpful and enthusiastic and interested and willing to pour their time and energy into making this thing happen

10. And, I mean, this is just one event I'm involved in, you know? There was also the Christmas party I referred to earlier, and the women's party, and the church service tomorrow, and all the other things that happen during the year, and all the music things, for that matter, and all the other families that need dinner taken to them or help with moving or emotional support or what have you. And there are always people willing to help, indeed, enthusiastic about helping. They humble me every time I think about them.

MY WARD, you guys. THEY ARE THE BEST.
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Number of Christmas music events for my church done so far: 1
Number of Christmas music events for my church yet to do: 3
Number of songs I am supposed to be performing in, not counting choir: 6
Number of these I might be able to get out of: 2
Probability I might be able to get out of them: 20%

Number of songs the Bishop told us he wanted at the Christmas service: 2
Number of songs we had planned on doing: 6
Number of times the choir director told me about her unrighteous desires to throttle him: 3
Number of extremely diplomatic emails I had to write: 2
Number of songs the Bishop's counselor insisted upon when he heard about what was going on: 5 (so, yay)
Number of times I have replanned the stupid special musical number because of being unsure as to how many songs we were doing: 4

Number of songs we have for the Christmas evening event ("fireside"): 9
Number I would like: 10-12
Probability of ending up with either too many or too few songs: 70%
Number of songs we had before G. realized that I was in charge, not Other Dramatic Person: 6

Tempo of "O Come All Ye Faithful": 88-104
Tempo we actually sang it at last Sunday: 60
Number of people who have expressed general concern to me over the organist's tempo lately: >10

Number of Yuletide fics I had time to write: <~ 1
Number of Yuletide fics I have actually written: 2
Number of additional prompts I keep looking at longingly: >5
Frequency at which I have to tell myself NO: ~2x/day
Number of additional fragments I have ANYWAY: 2
Probability these will actually turn into fics: 50% for one, 10% for the other
Probability Yuletide writing may be how I deal with stress: 80%

Number of non-music, non-Yuletide, non-work related Christmas-ish tasks I have on my to-do list right now: 7
Rate at which tasks are added to this list: 3/day
Rate at which tasks get taken off this list: ~1.5/day
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Ahahahaha. So last year at my church there was Drama concerning the evening Christmas music, which happily was eventually resolved without my whole church hating me, yay.

This year, the factions concerning the evening Christmas program have decided not to make a fuss, which I was extremely happy about because it would make my life SO MUCH EASIER, you guys, which yay, because I have about five times more work at my job than I did last year at this time and I simply do not have TIME to babysit this year.

When will I learn? So, of course, yesterday the choir director and I received word that at the morning Christmas service, the choir has been asked to do only two songs. We usually do at least four, and the choir has been working on them for a month already, and I'd even scheduled in a couple more special musical numbers because we were worried four wasn't enough. Apparently there will be a half hour of speakers instead. The choir director is beside herself. I got to write a lot of emails yesterday saying various soothing and/or hopefully extremely diplomatic things to people. At least this is going to be resolved in the next week or so, so is unlikely to take up as much of my time as the stuff last year.

(I... have never ever been to a Christmas service, at any of the three denominations or countless different wards/congregations I have attended, that was not majority music. I must say that I think limiting the music like this is not a good idea. Even allowing for my strong pro-music bias.)

age meme

Apr. 24th, 2013 12:28 pm
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Age meme from [personal profile] thistleingrey. Comment if you would like an age.

When I was 16:

I lived in: Mostly, in something that used to be a hospital but was/is now the dormitory for a boarding magnet school that takes grades 11-12. (I was in grade 12 at the time as a result of a grade skip and a summer birthday.) On our monthly-ish visits home, I lived in a large house my parents had recently moved into. Oh, when I turned sixteen I was living with my grandparents for the summer because I had a job in the area. My step-grandmother didn’t poison me, and I think we both counted that as a win. (I’ve never inquired as to why they agreed to it in the first place; probably pressure from my step-aunt and husband, who got me the job and whom my grandparents actually liked.)

I drove: At school, we weren’t allowed to have cars, so nothing. When I went home, my mom forced me to drive; I think it was my cousin’s Camry that he used while he was at school in the States and which he bequeathed to my family when he went back home.

I was in a relationship with: Not, of course, including my family, the most important and intensive relationship I had at 16 was with K -- I’m sure I spent more time with her than with my family (though given the boarding nature of our school, and the inclusiveness of our group of friends, I suppose I spent a lot more time with a lot more people than with my family).

…oh, what, you mean romantic relationships? I had a short and ill-fated relationship with another boy at school; we seem to have mostly been attracted to each other because we were both smart, without any consideration of whether, y’know, our personalities meshed at all. I realized this well before he did (although he figured it out eventually; unfortunately, not before we broke up). Oh, and I was still 16, in fact, when I started my second real relationship with a boy that summer (we were both at a summer program -- in fact, also with the ex mentioned before, heh; it wasn’t awkward, though, because at the time he was dating another friend of mine). This was the first time I actually fell in love, which turned out to be two years of long-distance adolescent angst culminating in an unpleasant ending. (Oh, hey. Googling shows that both of them became professors in our shared discipline. Neat!)

I feared: I don’t remember particularly then. Probably cancer, or something happening to my family. I spent a lot of time worrying about stuff like that. I also worried about grades, depending on the class. I think I worried curiously little about college. I worried about looking stupid.

I worked at: School. College applications. Violin.

I wanted to be: I have written proof that on my college applications I said I wanted to be a doctor. I probably would have said, if I knew my parents weren’t around, that I wanted to be a professor.

Now:

I live in: A house, both smaller and costlier than my parents’, alas.

I drive: An Accord, usually.

I’m in a relationship: with D, for, eek, thirteen years, seven of them married. Though I suppose given that I used the time metric earlier: I spend far more time with E, our adorable three-year-old.

I fear: Something terrible happening to my family, particularly health-wise. I fear what might be a hidden strain of genetics in our family breaking through to my family or my sister’s family. I still fear looking stupid.

I work at: a lot of things, so that I probably don’t give any of them justice, because my attention span is approximately five minutes. In my day job, technical analysis, project management, and proposal writing, mostly. Parenting, some parts of which I am naturally good at and some of which I am naturally terrible at. Music stuff for church, which some weeks takes very little (non-church) time, some weeks takes more time, and occasional weeks has been known to consume all my time. Catholic choir section leading. I have one violin student, the son of friends, although he’s starting to get good enough that I’m worried he should really have a better teacher — I’ll probably talk to his parents about it soon. On the other hand, I’m much cheaper than anyone his parents could find otherwise (since I’m a friend, inexperienced in teaching, and bring E to play with their other kids), so. Writing, with extremely slow improvement and sometimes backtracking.

I want to be: oh, a lot of things. A hard worker. (Working on that one; some weeksmonths are better than others.) A better critical thinker, especially in terms of science. Better at ordinary socialization. To borrow from thistleingrey: I’d like to be more gracious. Also, I’d like to be a choir conductor. (I will be shocked if I’m not called to it at my church sometime in my life, probably when E is a little older.)
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So I've been released (LDS technical term) from teaching the 4-year-old boys. I loved doing it, but my Sundays have abruptly become a lot less physically taxing. Also I seem to have a problem with disciplining kids older than my kid (younger than E? I am AWESOME), and the guy they got to replace me, who has nineteen grandchildren, is brilliant at teaching them; I think they are a lot better off now.

But now I have a new calling (another technical term), and December's gonna be more emotionally tasking. Whyyyyyy is there so much DRAMA surrounding Christmas music?? Whyyyyy am I in the middle of it all? (I know the answer to that one, if you believe in divine guidance for these callings which I'm starting to because I suspect they made exactly the right choice without being in possession of much of the data: because I am unaffiliated with any of the DRAMA FACTIONS, and quite possibly because of my previous rich familial experience in dealing with very nice and generous but also control freak strongly-opinionated organizational types) Am I going to be able to get through to Christmas without having half my church hate me?
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First come I. My name is J-W-TT.
There’s no knowledge but I know it.
I am Master of this college:
What I don’t know isn’t knowledge.

-attributed to Henry Charles Beeching


I am pleased to participate in the fourth (whoa, already?) National Put Quotes in Your Blog Month (henceforth NPQiYBM), even though every year I intend to save up quotations for February, and every year I forget. Every post this month will have a quotation in it, though, so there.

In totally random news, just because I am so excited about it, I finally took my violin to get its stripped screw replaced, got it back today, and now I have a violin with working tuner pegs for the first time in my adult life. It is so awesome I cannot even tell you. I've only ever had the one full-sized violin, and the violin shop we used to take it to for tune-ups apparently didn't know the right thing to do, or lubricant to use, or something. I was vaguely aware that no one else seemed to have these kinds of problems, but then I kind of thought I was just awful at violin-tuning until the guy at the shop frowned and said, "Wow, this is really bad."

In other totally random news, [personal profile] ricardienne linked me to the Vorkosiverse Impromptu Poetry Battle! (The epigram above is satirized in that thread, in case you were wondering why it is here.)
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-Why did no-one tell me that the voice of Quasimodo in Disney's Hunchback of Notre Dame is Tom Hulce, who played Mozart in Amadeus? Did everyone else know this but me? It's... a weird mental image in my mind, now.

-The Murder at the Vicarage (Agatha Christie) is, I think, not one of the better Christies, but the one thing that made it hilarious to me was that one of the characters is a mysterious "Mrs. Lestrange." I spent the entire book, whenever she showed up, inventing ways to reconcile the character with Bellatrix Lestrange. (Alas, she did not, in fact, turn out to be a sociopath Death Eater. But that would have been awesome!)

-Tangled is a much more entertaining movie if you watch it thinking of a sort-of alternate Eugenides (from the Megan Whalen Turner books) as the main male character. (I know i'm not the first to think this. Still.)

-I was rereading Tam Lin, which I adore (I blame it for leading me to believe everyone in college spouted random Greek and Shakespeare -- turns out, not so much for physics majors), for various nefarious reasons. I think when I first read it, in high school, I might have found the college sex hijinks vaguely titillating. This time around, I was all "OMG ARE YOU PEOPLE SERIOUSLY NOT USING CONDOMS AND USING HERBAL TEA BIRTH CONTROL WHAT IS YOUR PROBLEM?" Okay, yes, it's set in the 1970's when people didn't worry about HIV, but still! I was rather amused by my change in reaction over the last twenty years (as well as slightly appalled that it wasn't my reaction as a teenager :) )

spotify

Jul. 18th, 2011 08:10 pm
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I just got my spotify invite. This is... really cool. It's like pandora, only way cooler because you can get the songs you want when you want them! And it has a lot of stuff. You know me, I don't do pop music, I was asking it for various operas and oratorio and musical soundtracks, and while it didn't have tons of super obscure stuff it had quite a lot, more than Pandora (which thinks a steady diet of Mozart operas ought to keep me happy, and while I admit that I'd rather have a steady diet of those than any other composer's operas, it's not good enough), and enough to keep me happy for quite a while. Yay Ian Bostridge listening! And the sharing music feature means that [livejournal.com profile] liuzhia and I are going to go a little crazy, I suspect, if I can convince her to sign on.

It's been in Europe for a while, and just got to the US last week; people can sign up for an invite here.
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Music: I heard Giuliano Carmignola playing the one of the Mozart violin concertos on the radio and was totally wowed -- it completely changed the way I thought about the Mozart violin concertos.

TV: Deep Space Nine. Oh, yeah, it's got the shiny happy Star Trek thing going, but it surprisingly... doesn't suck. Abigail Nussbaum talks about how it is actually kind of made of awesome, especially compared to other ST's and BSG.

Movie: Harry Potter and the Deathly Hallows (Part I). I seriously loved this movie. A lot. (Even if I hadn't, well, it was the only movie I watched this year.)

Book (fiction): I read a lot of fiction books this year, both good and bad. Nothing that made my Favorite Books of All Time list, but some good ones I liked quite a bit. Ones that stick out: Demon's Covenant (Brennan) for solid YA; The Brief Wondrous Life of Oscar Wao (Diaz) for edgy meaningful SF; This House of Brede (Godden) for thoughtful comfort read (except for one bit which is extraordinarily not comforting) -- this is the book this year I'm most likely to actually buy to own.

Also, The Merlin Conspiracy (Diana Wynne Jones) wins a Special Prize for Being Exactly What I Needed to Read When Suffering from Labor and from Post-Partum Lack-of-Sleep Delirium. I should probably reread it to see if it holds up as being as good as I remember, given that I was, um, not in my normal frame of mind when I read it.

Book (series): Daniel Abraham's Long Price quartet. I haven't liked an adult epic fantasy so well since... well, for quite a while.

Book (nonfiction): Checklist Manifesto (Gawande). Catapulted onto my "everyone needs to read this RIGHT NOW!" list.

Reread: Folk of the Fringe (Card) and The Dispossessed (LeGuin). Both were in my memory as okay, but on reread blew me away with how good they were.
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In rough ascending order of how excited I was about it. This was a good year for media (except for movies); I had a tough time ordering this.

Movies: A sparse category this year, but I'll say Guys and Dolls. Because I have a crush on Marlon Brando this big, and seeing him sing love songs makes me swoon. He's only a minimally competent singer, actually, not a particularly good one, but he sells it well.

TV: The Office! The only TV show I actually watch on a current basis.

Books(first read, fiction): The Engineer Trilogy (Parker) squeaked in at the very end of the year. I'm not counting this as a series (although I should), mostly so's I can mention this along with Voigt. It's dark and reminds me rather of a fantastically precision-engineered Rube Goldberg contraption, but I really, really liked it all the same. Will try to post on this later. Post on the first book here. These books engage exactly the opposite circuits in my brain than the Tillerman books below.

Reread: Card's Memory of Earth series, which I don't think I've reread all the way through since high school; thoughts here.

Music: I am totally and incontrovertibly in love with Ian Bostridge. This is how in love I am: I'll even listen to him singing German art songs! though I prefer to hear him sing Britten or Handel. Honorable mentions: [livejournal.com profile] liuzhia hooked me on Wicked. Also, Angela Lansbury in the original cast recording of Sweeney Todd is just flipping amazing, as is the entire recording, even though I don't much like the movie version.

Book series: The Tillerman Cycle (Voigt). A Solitary Blue gets special mention here. These (YA) books are about families and reaching out and make my heart hurt. Weirdly, Voigt's fantasy books leave me almost entirely cold.

Books(first read, nonfiction): Sweet Anticipation (Huron)! Most completely awesome book I read this year, no competition, possibly the best book I've read for several years. Awesome subject matter, and Huron actually talks about it very intelligently and scientifically. However, I will note also in honorable mention that The Art and Craft of Making Jewelry (Gollberg) has beautiful pictures, and Photographing the Southwest (Martres) is extremely useful.
cahn: (ase-blue-tallis)
-lilypond, which is something like LaTeX for music writing. Like LaTeX, there is a distinct and rather annoying learning curve, and once you get past that you're like "wow this rocks like crazy!" It would take me a lot to get back to a GUI-based score program. (Is there a way for me to post pdf's in LJ so I can show off my shiny new SAA arrangement of "Lo how a rose"? Thing is, I get asked to do these things for church but I can't find any arrangements I want, and it turns out to be easier for me just to write my own darn arrangement...)

-Audacity, which I've been using for a while to record lessons but which I just used to record myself singing the three-part arrangement I made in lilypond to see whether it actually worked or not (I think it does).

-Trader Joe's truffle cheese and goat-cheese with honey. I so totally thought they were gimmicky, but since I had to get refreshments for a recital... Turns out they are both my Platonic Cheese! (How can I have two platonic cheeses? Shut up!)
cahn: (Default)
Things I have loved madly recently:

-Pandora. A fairly good selection, actually, of Renaissance choral stuff (yay!), German art songs, and obscure Broadway; and a terrible selection of violin soloists.

-GIMP. Who needs Photoshop?

-Liquid Rescale for GIMP. Wow. Utter coolness.

-LaTeX. Given the necessary evil of proposal-writing, at least one can do it in a relatively painless way.

-Mark Bittman's The Minimalist Cooks Dinner. Really simple recipes that taste delicious-- see below; also, an incredibly wonderful sauce for salmon that involves lightly browning garlic in olive oil and adding dried tarragon and sherry vinegar to the warm garlicly olive oil (basically, to taste, but let's say 2 parts oil to 1 part vinegar... if anyone cares I'll try to look up the exact quantities tonight). I have no idea why this is so good-- it didn't sound that interesting, but it's spectacular!

-Frozen raw shrimp (also from Bittman). I have always been scared of cooking shrimp. Now I do not know why. Thaw 1 lb of Trader Joe raw shrimp (he recommends shelled, which I used) in the refrigerator overnight and fry it in a medium-size frying pan under medium heat with 1/8 cup olive oil, a tsp cumin, a tsp paprika, salt to taste, pepper, until pink (and the backs are clearly cooked), turning once, don't overcook too much (though you have some leeway). It is better than ANY restaurant shrimp I have EVER had (though to be fair I don't think I usually order shrimp at expensive restaurants).

-Courtesy of xkcd, Federal Reserve Skateboard: A Short Story. Complete with totally awesome surprise ending! The absolute best thing (perhaps only good thing) to come out of the current financial crisis.

-Sarah Rees Brennan's YA short story "An Old-Fashioned Unicorn's Guide to Courtship." It is no big secret that I read anything [livejournal.com profile] mistful writes. I'd probably read her laundry list if she decided to post it, because I have confidence that she'd make it hilarious. YMMV; my sense of humor lines up fairly precisely with what she writes.

"Courtship" has the familiar Brennan traits of general hilarity ("The Dowager Duchess Whyte had skin as white as snow, hair as black as ebony and a nose as red as blood, probably because of the secret drinking."), the minor-character-stereotypes-taken-to-hysterical-absurdity, the fantasy romance that's actually kind of sort of based on something, and while I'm laughing and not quite paying attention, I feel an odd shiver and realize she has happily been cutting up my heart into pieces. This, being a short story, didn't really have time to cut it up very much... maybe just a couple of nicks. You couldn't make someone human and let them be hurt.

(Also, an accountant named Miles! Who likes making plans! Was that an intentional reference?)
cahn: (Default)
For a while I've been taking a Performance Singing class from the Adult Education branch of the city college. I've been taking singing lessons for a bit, and for some reason (well, I could go into the reasons, but why would you care?) ever since I started the lessons I've frozen up in front of an audience, and my teacher told me this was a good way to get experience singing in public (which it is).

The teacher is great; so is the accompanist. The students... well... there's a wide range. There's the would-be comic who is more interested in telling bad puns than improving his singing. There's the girl who gets very emotionally involved in her songs but no one elses's, and who brought twenty people to the final concert, only to disappear halfway through the concert with her entourage, leaving two people in the audience. There's the older lady with hair down to her waist (she's probably the only older lady with long hair I've seen in the last year) who does sensuous things with the microphone, which sometimes is quite cool and sometimes seems slightly embarrasing. There's the introverted geeky woman who sings unintelligible and badly accented French songs and who does weird things with her hands when she sings until you worry she's having a spastic fit. (That's me. I'm working on the hands thing, with some success, and on my accent,with basically zero success.) But... now that we've done this class for a while, I have a certain fondness for the others, and a certain emotional investment in their singing improvement, even though I'd never actually hang out with them socially.

This is all just to say that I really, really liked The Writing Class-- I think it's one of the best (fiction) books I've read this year-- and possibly a large part of that was having been through this Adult Ed class; someone who doesn't have that experience may not feel the same sense of resonance I did. Regardless, it's a really funny book. The main character, the teacher Amy, is rather standoffish, but I got to like her-- she doesn't whine, and she isn't bitter (though very cynical)-- and she has her own sort of weird standoffish -- redemption? salvation?

There is an excerpt at the place I found out about this book (the pre-excerpt text has some mild spoilers, nothing terrible) - if you don't find it hysterically funny, don't for goodness sake read the rest of it, but if you do find it hilarious, check out the book.

(She's written another book -- Winner of the National Book Award-- which I didn't particularly like, perhaps because I don't live in Rhode Island... maybe you really need to connect to the milieu that she writes about.)

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