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E is at church camp and A just got the latest Percy Jackson: Senior Year Adventures from the library and has been reading it all evening, so I finally had time to write this up!

This is what I've actually been reading over the last six months/year and why I've been even slower than usual about reading everything else (although I did tell A. I had to take turns with the Hugo novels). For E this was mostly stuff she read for school that she wanted me to read so I could help her with her papers, while for A. this has been books he really likes and wants to... well, he doesn't want to talk to me about them really, he more wants to ask me questions about what parts I liked and whether I thought X was funny and so on.
American Born Chinese, All American Boys, Frankly in Love, Raisin in the Sun, Keeper of the Lost Cities: 2-9.5, all of Rick Riordan's Percy Jackson/Olympus/etc. series )

I am still working on Magnus Chase, and as I mentioned we just got the latest Percy Jackson: Senior Year Adventures (a much more low-key series) from the library, so I do have a few more to go...
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I have now read the Hugo novel nominees, where by "read" I mean "DNF'd two of them" -- Ministry of Time, Service Model, Alien Clay, Tainted Cup, Someone You Can Build a Nest In (I read in this order).

In the reverse order of how much I liked them:

The Tainted Cup (Bennett) - 4/5 - this book is set in an Empire continually threatened by giant leviathans every year, and in which they have discovered how to do all kinds of biological manipulations. Dinios "Din" Kol is an engraver, a person who has been biologically modified to have a perfect memory; he works for the brilliant investigator Anagosa "Ana" Dolabra, who has her own set of personal idiosyncracies. As the book starts, Din is investigating a murder, but the murder rapidly expands to involve a larger set of deaths and a larger set of power structures within the Empire.

[personal profile] ase pointed out that of all the nominees this is in some ways the most traditional-Hugo one (concentrating heavily on worldbuilding and plot) and yeah, I am That Traditional Hugo Voter. I loved this book, which first of all had a great premise, but also I felt had a precision and detail that I really enjoy in both the worldbuilding and the murder mystery. All the clues were right there (some were more obvious than others), and I even picked up a few of them, although not enough of them that I really had any idea what was going on (I would have had to pay a lot better attention, for one thing). The worldbuilding is really detailed and interesting to me, and the mystery is one that is centered right in the worldbuilding in a lot of different ways, which I find really cool.

I also have as a long-standing complaint about media in general that whenever there's an unequal partnership, the person in the position of intellectual power, the chess-player who is the mover and placer of the pawn(s) on the boards, is always a man -- though the other person in the partnership may be a woman. And I was charmed to see that reversed here, with Ana being the mover and placer.

I could imagine someone not loving this book because Ana and Din do work within the structures of an Empire that is pretty clearly extremely imperfect and rife with corruption, even if Ana does give a rousing speech about how her duty is to try to root out the corruption. I do think that some of how I feel about it will depend on further books in the series and how they deal with that. But either way, I very much appreciated the complexity of how many if not all the characters turn out to be various shades of gray; the "good" characters are still working in a corrupted system, and at the same time, one can usually understand why the "bad" characters do the bad things that they do, often as reactions to that same system.


Major spoilers
I also kind of loved that the solution to the mystery turned on bureaucracy and also on a giant money-making scheme. That's so... plausible.

I loved this one enough that I'm immediately picking up the next one at the library. Which other Bennetts should I read? I started City of Stairs but never got very far -- but maybe I should have forged onward a bit more?

The Ministry of Time (Bradley) - 3+/5 - In which various people are brought through time to a near-future Britain and are acclimatized to modern life by living with a government-admin "bridge" -- most particularly Graham Gore, a nineteenth-century Arctic explorer, and his bridge, the unnamed narrator, who is a woman with a British father and Cambodian mother. Meanwhile, there are attacks that appear to be related to the time traveling...

I was confused while reading this book for a long time. The author seemed to have a pretty clear idea on how Gore's mind would have worked, historically speaking, which meant I had no idea why anything was set up the way it was -- why is Gore's bridge a mixed-race woman, why are they living alone together in a house, none of this makes sense -- until the romance started, and then I finished the book and read the afterwards, and ohhhhh, okay, it started life as a fanfic, and all of that was basically the setup to get the ship together, yeah, I get it now, I have written that fic too where the justification for throwing the ship together made, uh, minimal sense. (To be fair, there are some plot-relevant justifications for the setup of the Ministry that only get revealed near the end, and I thought that part was neat.)

All this being said, if one accepts the implausible setup, everything else that followed was interesting, and I did find the book compelling enough that I was eager to read it all the way through. I definitely liked it more than the average Hugo finalist this time out!

Service Model (Tchaikovsky) - 3/5 - A robot butler puts himself out of work and goes on a road trip, occasionally accompanied, to try to find humans to give him more work. It was fine and quite readable (Charles, as the robot butler starts out being called, is a reasonably engaging POV), although I felt like it could probably have been wrapped up in a novella or even novelette -- I felt like the road trip went on and on without adding very much value, and then suddenly all the plot (which I enjoyed!) happened in like the last five percent. One of those angry books about how terrible modern society and human beings are. It's not that I disagree, it's just that it is a bit wearisome to read a whole book about it.

Someone You Can Build a Nest In (Wiswell) - DNF - a tale told from the POV of the monster Shesheshen, who likes to eat humans. This wasn't a bad book, it would probably have gotten at least a 3/5 if I'd finished it, but I made the mistake of not tackling it until after having read The Tainted Cup. Nest just doesn't have that kind of complexity at all, by which I mostly mean the characters. (I also don't think the worldbuilding and plot is nearly as complex and interesting either, but I didn't read far enough for those things to bother me as much.) In Nest, there are definitely Bad characters whose only function is to be so over-the-top obnoxious that we cheer when Shesheshen eats them. I also was annoyed by the character-worldbuilding in which Shesheshen knows just enough about humans to be able to be all self-righteous about how annoying and hypocritical humans are. (Monsters, as far as I can tell, are totally great. Like, they eat their parent and siblings and all, but that's cool, that's just the way they are.) Idk, maybe I was brought up on too much Tiptree, I would have liked her to be a little more, well, alien than to be able to discourse on humans being hypocritical (which to my mind presupposes a reasonably sophisticated understanding of human behavior). But yeah, I should have read it around the same time as Service Model, I would have been able to finish it then.

Alien Clay (Tchaikovsky) - DNF - I can't even make it through the first chapter, I am not sure why. There's something about the narrative voice that I just really am having a hard time getting past.

Hugo novels: Tainted Cup > Sorceress > Ministry of Time > Service Model > Nest > Alien Clay
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4+/5. Cut for length and at least one random aside; no spoilers. )

Not sure about that one minor spoilery thing. )

Anyway... [personal profile] hidden_variable and K, I spent this entire book thinking, you should absolutely and positively read this book!! (And many of the rest of you should too -- [personal profile] crystalpyramid, I think this is also directly relevant to your interests -- though I also don't think everyone who liked SDG will like it.)
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Hey heeeey Hugo books are out and although I am feeling kind of unmotivated for most of the categories, I might actually end up reading some of the novels. In the meantime I am researching romance novels for Reasons (beta reasons) and have read some romance or romance-adjacent books, one of which doubles as Hugo reading.

Romancing the Beat (nonfic), Yours Truly, The Friend-Zone Experiment, A Sorceress Comes to Call )
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I have not read the Odyssey since I was in middle school, and (as will rapidly become clear) I remember basically nothing about the poem itself, although I'm familiar with all the elements of the story. Thanks to [personal profile] selenak, I'm reading the Emily Wilson translation, which I'm enjoying! I had a lot of fun with my Aeneid read a while back, and in the interest of spurring Classics salon discussion I am gonna semi-liveblog my Odyssey read too.

I have not yet read any of the copious intro notes (which I always enjoy) as I didn't want to be spoiled for this, uh, thousands-of-years-old epic. I'll read them at the end, remind me if I don't!

Books 1-3: Don't tell me about a complicated man, tell me about his son. )
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Three people recced this to me after I posted about My Real Children, and the library had it, and then I was dragging my feet posting about it but then [personal profile] hidden_variable posted comparing My Real Children and Life After Life (post has spoilers for MRC, no spoilers for LAL) so, uh, here we are.

The idea of this book is that Ursula lives her life over and over again -- though she seems to learn a bit each time. She dies as a baby, strangled by the cord wrapped around her neck. Then she starts over, and this time (how?) the doctor comes and cuts the cord, but then she drowns as a small child. Then she starts over, and falls off the roof. And so on. Ursula doesn't remember anything exactly from iteration to iteration, but she does carry with her some kind of emotional response to her previous lives, so for example the next life after falling off the roof, she decides that going on the roof is a Very Bad idea.

I found the book fascinating as well as often rather hard to read (emotionally speaking). At some point I started flipping forward to find the next time that Ursula died so that I would know what I was signing up for in this iteration. (The life iterations do start getting longer once Ursula hits adolescence -- I guess there are more ways for small kids to die than there are ways for adults to die, although Ursula does manage to find a few.) The influenza section was particularly hard to read, because I guess it was just very likely for her to die from that, so there were a lot of lives, over and over again, where she would die from influenza, and often her siblings would too, and it just sucked a lot.

I thought about this book a lot after finishing it. I didn't get it on first reading, which frustrated me. (I'm still not sure that I get it, but at least I have thoughts on what's going on.)

Spoilers. )

Anyway -- well -- I will say that this is a hard book to read if you have any sensitivities around child death (I don't particularly, and I still found it hard to read in that respect!) but I liked it and it definitely made me think!
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4/5. When [personal profile] ase found out I was writing about multiple universes for Yuletide, she asked if I'd read this. I had not, though I knew vaguely that it was about dual universes. I got it out from the library, not super planning to read it right away, and immediately fell head-first into it. I can't really even tell you why it was so compelling -- the first chapter is from the point of view of a woman, Patricia, who has worsening dementia in the year 2015, which I feel like shouldn't be compelling me to read it! And yet it was immensely compelling and I couldn't stop. I think that some other of Walton's books that I've read -- looking at you, The Just City and Lent -- have this aura of "idea-book" to me, where Walton is cheerfully working out a specific idea -- and don't get me wrong! I love those! But sometimes they can feel to me like they are all about the idea, whereas this one felt very real and moving and grounded to me, and because of that I think is my favorite Walton I've read.

The book traces her journey from a kid (born in 1926) to the point (as a young woman) where she makes a choice, whether or not to marry Mark, a rather disagreeable young man whom she nevertheless thinks she's in love with. The universe in which she does marry him and the universe in which she does not splits herself into two, and then follows the two versions of herself through their lives in alternating chapters. (They helpfully call themselves Pat and Trish -- I was amused that I independently had come up with the same necessity for having different names in the two timelines.)

I guess mild spoilers? )

I found all of this fascinating and emotional and sometimes heartbreaking, both the personal stories (and not just the differences between their lives, but the quite different people that Pat and Trish become) and the slowly accelerating changes in both universes, although to be honest I flagged a little near the end of the book where I had some trouble keeping all the children and grandchildren straight. But maybe that was thematic, because that's the point at which Pat and Trish both start getting dementia. (Not a spoiler, as we know this from the first chapter.)

spoilers )
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Okay, so now I can FINALLY post about how this fall I did the deep dive through a whoooooole bunch of L'Engle's books!

There turn out to be a lot of Kairos and Chronos books. )

Muuuuuusic

Dec. 19th, 2024 09:57 am
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All the music people around me have been chunking the month in weeks. Get through this week; regroup, learn the music for next week; get through next week. It is December. Last week was the big week; one more week to go, but relatively light. (Which is good, because the Yuletide deadline was Tuesday and this is, uh, the second latest I've ever turned in my draft.)

Me, grading the music I've had to do in the past month: )
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Hiiiii I'm still alive!

4/5. This book was recommended by my kid's high school guidance counselor office in one of the daily mass emails we get from her school. I suppose the subtitle of this one may as well be, "Why your kid won't get into the super-elite school you think they ought to get into," which is the not-so-subtle messaging to parents (and I think has something to do with why the counselor office recommended it). This seems to boil down to the premise that the current incentive system (both in terms of generally how the school is perceived and how specifically ranking lists perceive the school) make it such that colleges have a lot of incentive to be sought-after by as many applicants as possible (they want to be "sellers" -- the ones who decide whether they want the students -- rather than "buyers," in the author's terminology, which are the ones wooing the students), so colleges have arranged things so that in many cases there are a whole lot of kids vying for a relatively very small number of spots. In any case, the book also makes the case that there are enough "buyers" that provide a great education and might also give you merit scholarships that in most cases it's a bit silly to restrict oneself just to the "sellers," especially if you are wanting financial aid -- it's sort of like picking a brand name vs. a non-brand-name. (And, as in the brand name case: though you are rather more likely to get a better deal with the non-brand-name, sometimes there are reasons to pick the brand name, though Selingo doesn't get into that so much.)

The author follows a few kids as well as a couple of admissions committees to see how it all works (and documents how the admissions people have a hard job, as well as how they are trying to craft a class, not just looking at individual students) -- this is really quite interesting, to see how all of this works. Along the way, he also puts in some details I didn't know, like how it got started that kids get overwhelmed with glossy mailers from college (this wasn't always a thing!) and how Northeastern went way up in the rankings in the last 10 years (the bare fact of which I did know, because my cousin once removed is a sophomore at Northeastern, but I did not know that it was a concerted effort). And then there's financial aid, which is this whole problem of inequitable information as the financial aid awards aren't done until after kids have applied.

Along with the buyer/seller college distinction, he also makes a distinction between "drivers" and "passengers" -- the former indicates the kids (and, let's get real, their parents) who are very savvy about what they're looking for and what they want, and for their entire high school career have been driving, so to speak, toward the college goals they're looking towards, and start their applications on a relatively early time frame. These are the kids who know the difference between early action and early decision, and have mapped out where they want to apply early (if they do) and, strategically, why. Then there are the passengers, who just get carried along by the whole process... the good thing is that it seems like they mostly still end up okay, though perhaps not in as optimized a place as the drivers.

There's a bit in the book about sports recruiting, which I knew nothing about when I started the book, but I learned shortly after starting reading it that D's niece (who comes from a very sporty family) was sports-recruited (as a junior!) and is going to attend a rather-elite school year after next :) So it was interesting to read this bit of the book in conjunction with learning this information. Moral of the story, perhaps: if you think you might be good enough to play varsity for your sport in college, and you have pretty good grades (niece has straight A's and what was described to me as a "good enough" SAT for her future school), this might be a relatively "easy" way of getting into college. (I put it in quotes because I honestly think niece, who has been swimming since she was practically an infant, worked as hard or harder than any other high school kid I know. Her swim team had practice Thanksgiving morning!) It is, however, a really good thing for my kids that college is not in fact based on their sporting chops, because early sports training was very much not their thing. Although E is consistently not last place in cross-country, which I'm very pleased about! :)

Anyway, this was an interesting read and worth reading if you want to know more about what goes on with college admissions.
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Note: not the basis for the Nazi propaganda film of the same title! (Which I had never heard of before hearing about this book, lol, but as [personal profile] selenak pointed it out, I put this here for readers who are more culturally literate than I am.)

I found this one quite compelling. It takes place during the buildup to and the tenure of Duke Karl Alexander of Württemberg, in the 1700's, and chronicles how Karl Alexander came to power, his stint as Duke, and the aftermath. Karl Alexander was... well, [personal profile] selenak described him once in salon as a "Rokoko party boy" and yeah, that pretty much covers it.

But that's not what the book is about, that's just the background. It is actually the story of Joseph Süss Oppenheimer, the Finance Director for Karl Alexander. Süss rises very high as the "Court Jew" as Karl Alexander rises in the world, and becomes very rich and distinguished, and all without giving up his religion. The history, of course, does not end well for Süss, and the book follows that through to the end. [personal profile] selenak tells me that an influential contemporary review for the English translation called it "a composition of intrigue, corruption, tyranny, injustice, ignorance, cruelty, uncleanliness and fornication," and, um, yeah, that's not a bad description! From about 60% to 80% the book is absolutely riveting. I mean, it's interesting in the other spots too, but this is where it kicks into high gear, as everything that has come before converges into what seems like an inevitable structure. (I also assume that most of this plot structure -- the motivations, etc. -- was made up by Feuchtwanger.) In contrast, the last 20% or so is more elegiac in tone, wrapping up everything slowly to the inexorable (historical) conclusion.

Feuchtwanger himself, of course, was Jewish, and it's interesting reading this book that there are so many places where he is remorseless in depicting anti-Semitism, in a way that is quite uncomfortable to read sometimes. It's not that he paints the anti-Semites as horrible cruel people; it's that they are ordinary people, sometimes quite nice, who do horrible cruel things, often unthinkingly, but also often in a way where fears and stresses override the rational and humanistic parts of their minds.

The style is interesting. I kept thinking that stylistically it reminded me of a fairy tale -- something like Hans Christian Andersen, where there is something of a mannered distance between the reader and the people on the page, while still being descriptive and compelling. It also had that fairy-tale-ish quality of making things seem beautiful in an almost dreamlike way sometimes.

Süss is definitely a hero, or anti-hero? in the true Feuchtwanger mold; he's handsome, popular with the ladies, intelligent, and significantly flawed, with the flaws often being part and parcel of his virtues as well -- he does not convert to Christianity, and to be sure there is a (somewhat murky) element of religious piety in that, but that's depicted as much less of his conscious motivation than an overwhelming pride that he can rise so high without converting, that he is one of of a kind and not just another rich Christian.

The book is of course (given its English title) also extremely concerned with power -- what it means that Karl Alexander has power both over his country (one of the major plot threads is about how he seeks to gain autocratic powers over Württemberg) and his Jew (he calls Süss that a couple of times). And what power does Süss have, given the above, but also given the fabulous wealth that he has made from being Karl Alexander's Court Jew, which he uses more than once to drive Karl Alexander in the way he wishes him to go? But also, you know, not to go all Ayn Rand but she did actually have something of a point when she said that going after power is living second-hand through others and not living on one's own terms. Which relates to the arc -- I hesitate to call it a redemption arc, but it's not exactly not that -- that Süss goes through, when that power and riches are inevitably torn from him. There is a lot going on!

I still have yet to read a Feuchtwanger where the young child of the main character (or, in one case, the not-so-young child-proxy of the main character) did not die super depressingly.

I think the Joseph trilogy is still my favorite Feuchtwanger because Joseph is such a WTF character, but I felt like of the Feuchtwangers I've read so far (Joseph trilogy, Oppermanns, Proud Destiny, and now Jud Süß) this one is the one I was the most impressed by. I can totally see how it became a best seller!

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