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The last book!

Last week: Astrological phenomena and the star of Bethlehem. Messianic (?) prophecy about Vespasian. Brutality of the siege, and discussion of the law of war protecting prisoners from the enemy army (or lack thereof). Imperator.

This week: Book 7. Wrapping up of the war. The Masada fortress and group suicide (which I think is interesting to think about given the discussion we had a few books back). The temple of Onias. (Dedicated commment threads for both of these below, for anyone who wants to join in!)

Yay book club, thank you everyone!

Date: 2026-05-10 04:06 pm (UTC)
From: [personal profile] cenozoicsynapsid
The plays, as I understand it, basically sort into four piles:

* Greek tragedy: Aeschylus (or if you're [profile] serenak, Aischylos), Sophocles and Euripides (I don't remember the Greek transliterations, I'm sure someone will remind me). One of those annoying sets of books that feel cliched because everyone has ransacked them for parts for literal millenia, but you're disgusted to find out they're as good as everyone says.

* Aristophanes: Pretty much the sole survivor of the Old Comedy. Still really funny, unlike his successors, the...

* New Comedy: encompassing a bunch of Greek authors but also most of the surviving Latin comedies. Direct ancestor of those Shakespeare plays where people keep mistaking lookalikes for one another (notably Two Gentlemen of Verona but also bits of Twelfth Night and so on), and to the musical A Funny Thing Happened on the Way to the Forum. Full of cornball jokes and stock characters; tends to come across as a bit tedious to modern readers.

* Roman tragedy: Ancestral to Titus Andronicus, Tis Pity She's a Whore, and stuff like that. I haven't read any of these, but from what I've heard: oceans of gore, heartfelt speeches on all sides, no piece of scenery unchewed.

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