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Re: Ch 16: the end
Date: 2020-05-25 06:51 am (UTC)Secondly, it always pays to look at what Heinrich is doing in addition to what he's saying. And simultanous to before, during and after this visit, he lets Lehndorff and his family live for free in his Berlin town residence. (Reason: Lehndorff had sold his own place in Berlin years ago, since he's been living mostly in East Prussia, but now the boys are grown up and starting in their careers and he wants to be close to them, but getting a house in late 1790s Berlin is awfully expensive, hence Heinrich to the rescue.) Also, he keeps writing to Lehndorff till the end of his life (Lehndorff outlives Heinrich). An essay in a painting catalogue about the Lehndorff family portrait even mentions Heinrich inviting him to Wusterhausen in 1800, which is after the cranky letter from 1799. So: comforting context.
(She was the one who was the awesome character later in life, right?)
Yes, she was the excentric old lady Fontane described, "the last survivor of the Prince Heinrich era" who still talked fondly about him. (And died herself a Rokoko death by cat bite and subsequent infection.)
I had somehow forgotten by this point that Heinrich's name is actually Friedrich, like everyone else in the entire saga, lol!
It's the reason why his tag at A03 is awfully long. For some reason, Wilhelmine by contrast was spared getting listed with all her first names, thankfully.
"I think I can forget everything that has happened in the past twelve years here... I have illusions about the past." Well, I guess, points for being honest? But seriously, that was a pretty awful twelve years, I can see why, although before then wasn't exactly a bed of roses, he might choose to remember those over hte past twelve years.
Quite. I mean, he only would have admitted it very begrudgingly, but if you'd asked him then to choose between living in the Fritz era (or eras, any of those 40 plus years) of his life versus living in the post Fritz years, it's clear what he'd have picked.
But really, poor Heinrich. I feel like if he'd been incompetent that would have been one thing, but to be hyper-competent and not be able to use it, that just seems really awful.
It makes me so angry when older writers like Pangels are like "..and then he deservedly died a bitter old man who wasted his life without anyone caring about him and he brought it on himself, too", because a) he died surrounded by people who cared, b) that he could not use all his abilities had not been his fault, and c) keeping all that frustration in mind, it wouldn't have been surprising if he'd been suicidal and misanthropic to the max, and he wasn't. He engaged with the present till the end (even if he was depressed about it), and he kept enjoying, as he always did, (French) theatre, literature and music.
Re: Ch 16: the end
Date: 2020-05-27 04:58 am (UTC)(but man, Ziebura, what about catering to my interests of gossipy sensationalism and also the romance with Lehndorff?? everyone should cater to those)
a) he died surrounded by people who cared, b) that he could not use all his abilities had not been his fault, and c) keeping all that frustration in mind, it wouldn't have been surprising if he'd been suicidal and misanthropic to the max, and he wasn't. He engaged with the present till the end (even if he was depressed about it), and he kept enjoying, as he always did, (French) theatre, literature and music.
Oh! Yes, I meant to comment on (a) as well -- I do really like how Ziebura makes it clear that in terms of fulfilling relationships he did have a bunch, and he loved and was loved (even if maybe those relationships were not necessarily romantic ones, except for the Comte). <3 And yeah, that's a good point that he was (very understandably) depressed sometimes, but he did engage with life.
And I was also going to say, he likes Gluck :D