cahn: (Default)
[personal profile] cahn
Note the first: I apparently always want to add an extra e to Sutcliff's name. Sigh.

Note the second: Oh, hey, by the way, rarewomen happened and ALSO DIDO FIC, including SF Dido!AU!(Here is where I squee about it — if you don't know the Aeneid, it's okay, you need only this post and this to read them — and here’s my reveal post and more nattering on about the Greek Myth SF AU (spoilers!).)

4/5. This book sat on my shelf for a month because I’ve only read Sutcliff’s Roman stuff (uh, two books) and I was kind of side-eyeing her taking on a Celtic subject. Um. Sometimes I’m kind of stupid. This was totally amazing: gorgeous prose and the research I expect from her and allllll my tropes as usual (loyalty, friendship, partnership, hard choices, etc.) and what the heck it’s a retelling of Y Goddodin. (I am thick. I did not realize this until Aneirin showed up.) WHAT. I think the last half of the book I kept on going !!!! Y Goddodin!!!!

I mean, I guess that if one looked at it rationally, one could come up with a lot of things that might be slightly obnoxious. There’s essentially no plot. The plot, such as it is, is, well, the plot of Y Goddodin, which is to say the plot of every Welsh poem ever. (Hint: The Welsh don’t make poetry about their awesome victories and how they totally crushed the other guy, dude. They just don’t. This is not a super-feel-good book.) The prose is sort of partially Welsh-reminiscent and partially Roman-Britain-reminiscent, which might bother someone who was a little more involved with the era than I.

But I don’t look at this book rationally :)

Date: 2013-05-18 09:48 pm (UTC)
carmarthen: a baaaaaby plesiosaur (Default)
From: [personal profile] carmarthen
Well, certainly I feel like their attitudes towards military service are much more British than Roman (her equestrians almost all take bizarre and unRoman career paths, and look on military service much more...idk, romantically, I guess?), and there's an argument to be made for her trying to work out her feelings about British imperialism via Rome. I...don't always agree with her conclusions. She was heavily influenced by Kipling, FWIW (you might find the article linked here and the discussion interesting).

Here's the citation on the dodgy New Age stuff. But in general the recurring themes in her 'Celts' that I side-eye on a historical front include

1) Strictly segregated Men's Side and Women's Side activities, including pre-teen boys living together communally sans female influence rather than being raised by their families (is there any evidence for this?).
2) 'Matriarchies.' On top of that 'matriarchies' that clearly value men more than women, which makes my brain hurt.
3) Marriage by faux-capture, with rapey undertones. I know there are elements of this in the Roman wedding ceremonies, but is there evidence of that among British tribes?
4) Almost everything involving the Little Dark People.

Hedgebird's entire Sutcliff tag is well worth reading through.

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