SGA: season 1, eps 11-20
Sep. 15th, 2012 10:02 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
cahnSo people gave me fic recs and they were awesome and this has really slowed down my SGA snarfing, but then D poked me to clean up the papers that have been accumulating for weeks while I've been doing, um, other stuff, and SGA is perfect to have in the background while doing that.
"The Eye": So there was a lot of rain, and everyone got really wet? I dunno, I admit I watched this in thirty-second increments while getting work done, but I think it was supposed to instill more emotion in me than it actually did.
"The Defiant One": Um, I don't think I was supposed to laugh every time the Wraith said something. Also, OH RODNEY.
"Hot Zone": I will watch any scene with Zelenka. THAT IS ALL. Beckett figured out it was a virus before McKay did THROUGH INFORMATION GOING BACK IN TIME, apparently. And hey Atlantis has transporters! Did we know this? Did I totally miss this because I've only been paying half attention?
"Sanctuary" and "Before I Sleep": I "watched" these while toddler-wrangling and house-cleaning, so I really have very little idea what happens in them, but I got the distinct feeling I didn't miss much; so in Sanctuary, Sheppard falls for a girl who isn't what she seems, and "Before I sleep" seems to have been the writers trying to make Weir more interesting and instead just making her whiny. Did I get that right?
"The Brotherhood": Didn't we just do this in Sanctuary, only now with McKay instead? McKay doing flirting is AWESOME. "You're smart!... and oh yeah attractive and all that." I AM SWOONING HERE, MCKAY. No really, I am; this has been a historically-successful way to sweet-talk me. Um, what? However, I have to say that of my acquaintances, the smarter the person, the less likely s/he's in Mensa, or at least less likely to admit the fact. So I dunno, my estimation of McKay's intelligence went down a bit? Maybe it's different in Canada. Also, Beckett and Weir continue to be complete wastes of time. Seriously, I don't think it's SPOILER that's going to bother me, it's the fact that SPOILER became necessary because of their complete and utter waste of the character.
"Letters from Pegasus": SGA does SGU-kino. Or, I guess, the other way around chronologically, but I liked it in SGU better (with one exception which should be clear). Which isn't saying a whole lot. Anyway, this really brings home to me that I CANNOT STAND Beckett. Still. And that Zelenka talking in Czech is, like, infinitely more interesting to watch than Beckett talking in English. (Actually that whole scene was intensely moving, possibly my favorite yet. Zelenka, despite the fact that I had no idea what his name was until being force-fed a fic about him, is like MY FAVORITE EVER.) Hey, Weir FINALLY gets something to do. That's a nice change. But really, my impression of this episode is something like "Huh, they only had half an ep worth of material, so they decided to do some flashbacks. Also ZELENKA FOREVER."
"The Gift": Weir turns out to be a linguist? Did we know this? Is she ever going to display the Power of Language again? (My bet's on no.) Also, I thought it was hilarious they were all "Teyla... you... have... Wraith DNA!!" like it was a big deal. In other breaking news, humans share DNA sequences... with... monkeys. NOOOOO! Also, you will be super-surprised to hear that I think Rachel Luttrell has been totally wasted -- when she started speaking Wraith-tones I was all who is this actress she is awesome!
"The Siege Part 1": Please tell me McKay and Zelenka get more scenes together. A LOT more scenes. Because every time they have a scene together I am SO HAPPY. Hm, on watching the rest of this ep I suspect the writers have also realized Zelenka is PURE GOLD. Basically even McKay I've stopped being so enamored with, but ANYTHING with Zelenka I will watch. Um. Also, angsting over the Wraith coming to destroy Atlantis and Peter's tragic death and stuff. But also Zelenka angsting over Peter's death! Am I maybe not focusing on what I was supposed to, here?
"The Siege Part 2": Huh... that... was a plot twist I wasn't expecting. That's pretty cool. Wow, that guy is smarmy. Love it. Also, no, seriously, McKay and Zelenka, they could be talking about nothing at all, sort of like they do for a couple of seconds here, and just LOVE. But when they talk about science, even better! (I love especially Zelenka's look back at Smarmy!Colonel, like, "Oh, you're still here?") The ending was... surprisingly tense. I... actually liked it. And McKay continues to break my heart in just offhand camera shots, simply through the excellence of David Hewlett's acting.
"The Eye": So there was a lot of rain, and everyone got really wet? I dunno, I admit I watched this in thirty-second increments while getting work done, but I think it was supposed to instill more emotion in me than it actually did.
"The Defiant One": Um, I don't think I was supposed to laugh every time the Wraith said something. Also, OH RODNEY.
"Hot Zone": I will watch any scene with Zelenka. THAT IS ALL. Beckett figured out it was a virus before McKay did THROUGH INFORMATION GOING BACK IN TIME, apparently. And hey Atlantis has transporters! Did we know this? Did I totally miss this because I've only been paying half attention?
"Sanctuary" and "Before I Sleep": I "watched" these while toddler-wrangling and house-cleaning, so I really have very little idea what happens in them, but I got the distinct feeling I didn't miss much; so in Sanctuary, Sheppard falls for a girl who isn't what she seems, and "Before I sleep" seems to have been the writers trying to make Weir more interesting and instead just making her whiny. Did I get that right?
"The Brotherhood": Didn't we just do this in Sanctuary, only now with McKay instead? McKay doing flirting is AWESOME. "You're smart!... and oh yeah attractive and all that." I AM SWOONING HERE, MCKAY. No really, I am; this has been a historically-successful way to sweet-talk me. Um, what? However, I have to say that of my acquaintances, the smarter the person, the less likely s/he's in Mensa, or at least less likely to admit the fact. So I dunno, my estimation of McKay's intelligence went down a bit? Maybe it's different in Canada. Also, Beckett and Weir continue to be complete wastes of time. Seriously, I don't think it's SPOILER that's going to bother me, it's the fact that SPOILER became necessary because of their complete and utter waste of the character.
"Letters from Pegasus": SGA does SGU-kino. Or, I guess, the other way around chronologically, but I liked it in SGU better (with one exception which should be clear). Which isn't saying a whole lot. Anyway, this really brings home to me that I CANNOT STAND Beckett. Still. And that Zelenka talking in Czech is, like, infinitely more interesting to watch than Beckett talking in English. (Actually that whole scene was intensely moving, possibly my favorite yet. Zelenka, despite the fact that I had no idea what his name was until being force-fed a fic about him, is like MY FAVORITE EVER.) Hey, Weir FINALLY gets something to do. That's a nice change. But really, my impression of this episode is something like "Huh, they only had half an ep worth of material, so they decided to do some flashbacks. Also ZELENKA FOREVER."
"The Gift": Weir turns out to be a linguist? Did we know this? Is she ever going to display the Power of Language again? (My bet's on no.) Also, I thought it was hilarious they were all "Teyla... you... have... Wraith DNA!!" like it was a big deal. In other breaking news, humans share DNA sequences... with... monkeys. NOOOOO! Also, you will be super-surprised to hear that I think Rachel Luttrell has been totally wasted -- when she started speaking Wraith-tones I was all who is this actress she is awesome!
"The Siege Part 1": Please tell me McKay and Zelenka get more scenes together. A LOT more scenes. Because every time they have a scene together I am SO HAPPY. Hm, on watching the rest of this ep I suspect the writers have also realized Zelenka is PURE GOLD. Basically even McKay I've stopped being so enamored with, but ANYTHING with Zelenka I will watch. Um. Also, angsting over the Wraith coming to destroy Atlantis and Peter's tragic death and stuff. But also Zelenka angsting over Peter's death! Am I maybe not focusing on what I was supposed to, here?
"The Siege Part 2": Huh... that... was a plot twist I wasn't expecting. That's pretty cool. Wow, that guy is smarmy. Love it. Also, no, seriously, McKay and Zelenka, they could be talking about nothing at all, sort of like they do for a couple of seconds here, and just LOVE. But when they talk about science, even better! (I love especially Zelenka's look back at Smarmy!Colonel, like, "Oh, you're still here?") The ending was... surprisingly tense. I... actually liked it. And McKay continues to break my heart in just offhand camera shots, simply through the excellence of David Hewlett's acting.
no subject
Date: 2012-09-16 06:52 am (UTC)Beckett: basically a waste of space and better science options.
Weir is canonically a polyglot negotiator recruited into the SGC in SG-1 S7. Originally played by Jessica Steen, recast and played very differently by Torri Higginson in SG-1 S8 and SGA.
Transporters came up pretty early and also faded into the background as Magic Elevator Device nearly as fast.
But also Zelenka angsting over Peter's death! Am I maybe not focusing on what I was supposed to, here?
IDK, do you really think they're going to blow up Atlantis? Because clearly, what this show needs is more science time. And more Rachel Luttrell. (Okay, the only reason I might sort of suggest watching Critical Mass when you get to S2 is for the Teyla subplot about coping with her dying foster (grand?)mother. There's singing.)
The key part of "Sanctuary" relevant to your interests is Sheppard falling for the semi-Ascended Ancient girl who never shows up again, seriously show, I am filing this in the Ideas Rolodex. There's also a Bechdel pass when she and Weir are interacting, but that's about it. "Before I Sleep" is, yep, failing at making Weir an interesting character. Also, is there a time-travelling puddlejumper somewhere in there?
Why is SG so good at end-of-season cliffhangers, and so dicey on, well, almost all the rest of the writing? Including the 35 minutes leading up to the cliffahnger? Maybe it's good directing, rather than good writing? Obviously this is all thinking out loud.
no subject
Date: 2012-09-18 11:12 pm (UTC)I was kind of surprised by how much I cared about the cliffhanger after caring very little about everything that came before it, yeah, good direction maybe? But such bad direction for everything else! I don't know.
no subject
Date: 2012-09-19 06:55 am (UTC)Which is sort of how I felt about the end of SGU S1? Either people are wired to like cliffhangers, or the SG-verse production gestalt has that one thing down pat? Except I didn't care about the SGA S2 cliffhanger, there goes that hypothesis.