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[personal profile] cahn
Project Hail Mary (Weir) 3+/5. D told me when I started this book that he'd heard it was Weir returning to form, and then I knew exactly what to expect!

And indeed this was a delightful book for a science nerd, full of delighted "Here's how the science would work for this!" infodumps and Solving Problems through Science!! Yeah!! It's basically as if a Randall Munroe book (or his blog) came to life and I am here for that. As you might expect from that description, there isn't any characterization or meaningful relationships or anything (with one exception, mentioned later on), but eh, that's for a different book.

One nice thing about the lack of characterization is that even though the Macguffin is that humanity is faced with eventual apocalypse that will just get worse and worse over time, it didn't really ping to me as a depressing book, but rather a joyful one, because what's the point of a Solving Problems Through Science book if you don't actually solve the problems, and everyone was definitely having a lot of fun with the science along the way.

Wow, though, I had to laugh at how simplified everything that wasn't ~Science!!~ was! If humanity were faced with mortal peril in ~30 years, by all means all countries would all work together without any fuss and they'd give one totally well-meaning person world-dictator-like powers to do whatever needed to be done to save humanity, and, yeah, it would totally work great like that, sure!

Also, if you meet an alien in outer space all you have to do is establish some scientific points of contact (okay, that part I actually quite enjoyed) and in no time you'll have the grammar pretty much down pat and be exchanging jokes and sarcasm (because alien sarcasm works the same way human sarcasm does, of course) and yep, sure! (Puts my issues with Desolation Called Peace in perspective, I guess.)

But, like, did I care about that when I could be having ~Engineer/Scientist!Alien!Friendship~ feels? No, I did not. I also did not see the end coming and that was unexpectedly moving.

But yeah, this was definitely one of those books where if you were not warned ahead of time and if you weren't feeling like reading a book like the one this was, I can definitely see not liking it. Fortunately I was both warned and OK with reading this!

Light from Uncommon Stars (Aoki) - 3+/5. Katrina Ngyuen is a teen queer trans girl who runs away from her abusive family. She has a talent for the violin that attracts the attention of a great violin teacher, Shizuka Satomi, who's called "the Queen of Hell" for good reason, that good reason being that she has literally made a compact with hell that she will deliver them students who would trade their soul for being top-ranked violinists. Also, during the course of the book, they meet and befriend a starfaring family, the Tran family, who escape from interstellar war and buy a donut shop, from which they both make donuts and build an interstellar gate in the giant donut sign that is outside of the donut shop.

...As you can see, this is a book that goes a lot of places! And I enjoyed it! And there is a lot of good food in it, and a lot of music. I particularly liked this part:

Katrina: I have something super important to tell you, and you might not like me after I've said it.
Shizuka: OMG. You're going to tell me that you already have a violin teacher, don't you?? UGH. That's the WORST.
Katrina: What? No, I'm trans.
Shizuka: Okay. But seriously, do you already have a violin teacher?? Because that would suck, but we can work around that!
Katrina: Did you hear me?? I'm trans!
Shizuka: Well, yes, I heard you. But you were implying this was something negative...?

Because I just love that, and I know people who are like that -- even if they didn't understand exactly, it wouldn't occur to them to be negative, because what's important is the music. (And if they have to grab their student away from another teacher, haha.) Which is a lot of what the book is about, in fact.

I do think I feel like there is something about the book that feels shallow to me. I think there is so much going on that it doesn't seem to be delving into any of it very deeply, maybe. Personally, I would have loved more about the violin-competition world and the personalities and relationships and cross-currents involved, and I felt like I got just enough of it that I was like "...and that's it?? But you could have done so much more with it??"

And then there was Tamiko, who had the potential to be a really interesting character (she is in the running for Student to be Delivered to Hell, only for Shizuka to become interested in Katrina instead) and it looked like she was going to have an interesting arc but... then she didn't.

Anyway, I did like it! I think it's just that it wanted to be a poem and a fairy tale instead of a novel (it really is kind of a fairy tale in the way that Katrina and Shizuka find each other and help each other), and that wasn't what I thought I was going to read? That is, I think the majority of the difference between my reaction to Uncommon Stars and Project Hail Mary is simply that I knew exactly what I was getting into with PHM, heh.

Re: Tillermans

Date: 2022-05-19 01:13 pm (UTC)
mildred_of_midgard: (Default)
From: [personal profile] mildred_of_midgard
he certainly knew the odds were good.

I mean, one of the things the whole book is about is how his fellow students are scared shitless of dying in Vietnam!

Bullet: "I'm pretty sure growing up in my family has taught me the *real* things worth fearing." (Paraphrased, but you get the point.)

Liza and John would have known when their father died

Would they? I agree they were alive, but they were living in different states. Gram was telling Liza on her deathbed that her father was dead, like it was brand-new information. And while Gram could have written to the old address she had for John in California, it doesn't sound like she did.

Are my cross-references forgetting something?

Re: Tillermans

Date: 2022-05-19 04:28 pm (UTC)
mildred_of_midgard: (Default)
From: [personal profile] mildred_of_midgard
I mean, my grandfather died and my mother emailed me to let me know, but I was filtering her emails and so didn't see it until months later, after I'd gone looking him up on the internet and found his obituary. Had it been in the 1970s and I was throwing out her snail mail letters unread? I would probably not have found out. As it is, I'm fully prepared not to find out for a long time after one or both of my parents have died.

And that's *if* Gram wrote her kids, which it doesn't sound like she did to either of them. And you're right, no phone either!

Your "GRAM!" is very like "FRITZ!" It's making me smile ruefully.

Re: Tillermans

Date: 2022-06-03 01:02 pm (UTC)
mildred_of_midgard: (Default)
From: [personal profile] mildred_of_midgard
...Of course it was his *wife* that sent the announcement! I've always wondered why he did, but of course 1960s gender roles and of course his wife not having the same traumatic reasons to avoid contact. I can't believe that didn't occur to me until you pointed it out.

ETA: And if Bullet had come home, he would have gotten Liza back home, too. That's my story and I'm sticking to it. Someone should totally write a fix-it! Hmm.

Lol! Yes, it's a good headcanon, there there. :P Someone *should* write it!

Re: Tillermans

Date: 2022-05-19 07:15 pm (UTC)
mildred_of_midgard: (Default)
From: [personal profile] mildred_of_midgard
As for friends and acquaintances, I would say the odds are against it. Cf. these two passages in Homecoming.

Father Joseph uses his Catholic connections to find out more about the Tillermans:

"They weren't Catholics, but Crisfield is a small town, where everybody knows everybody else. So—the priest asked some questions of his older parishioners. They had known the Tillermans. None of them had been friends—the Tillermans didn’t seem to have friends—but they knew about them. He told me there were three children in the family. A boy, John, named after his father. People say he is in California. Nobody has heard from him for years, not his mother, nobody—twenty years or more."

And Dicey and James talking about Gram:

"She lives all alone on a farm."

"Why do Tillermans always live alone?"

"We don't. We live together."

"Together, but all alone together," James said.

"Maybe every family feels that way," Dicey said. "Maybe that's what families are."

"I don't know," James said. "I don't think so."


So while you can't rule out that John had friends/acquaintances that also moved the hell out of Crisfield and went to California (like me and some people I went to high school with :P), and so no one in Crisfield knows he knows his father is dead...the author is clearly, imo, setting up a theme of isolated Tillermans here.

As you know, my family *also* felt that way growing up! [ETA: I think this is another case of me interpreting a dysfunctional fictional or historical through the lens of my own. I know your family was in no way isolated like mine!]

Then there's the passage in Dicey's Song I was referring to, where it very much sounds like Gram didn't tell John or Liza about their father or brother dying:

"Your father is dead. He's buried next to Granny —you remember, in the cemetery by the Methodist church where we used to take flowers. It was a heart attack. Quick, and that's good. Bullet too —he's dead too. In Vietnam. They said, should they send him home, and I said, 'Why bother now. What difference would it make.' John was gone by then. After he took that job in California he just stayed out there. I guess. He sent me an announcement, about getting married —oh, years ago, and we didn’t answer. I have it somewhere."
Edited Date: 2022-05-19 08:31 pm (UTC)

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