18th-Century Characters, Including Frederick the Great, Discussion Post 33

[cahn]

And, I mean, it doesn't have to be just 18th century characters, either!

(also, waiting for Yuletide!)

Comments

Re: 1730 Trending Topics: Parma and Tuscany

[cahn]

Oh wow, that passage about Quantz on Farinelli is really cool! *takes notes*

Farinelli's vocal range

[mildred_of_midgard]

Since you guys are so interested in the Farinelli assessment, here's the rest of the paragraph that I didn't fully copy-paste:

Quantz is certainly accurate in describing Farinelli as a soprano, since arias in his repertoire contained the highest notes customarily employed by that voice during his lifetime: "Fremano l'onde" in Pietro Torri's opera Nicomede (1728) and "Troverai se a me ti fidi" in Niccolò Conforto's La Pesca (1737) both have sustained C6. His low range apparently extended to F3, as in "Al dolor che vo sfogando", an aria written by himself and incorporated in a pasticcio called Sabrina, and as in two of his own cadenzas for "Quell' usignolo innamorato" from Geminiano Giacomelli's Merope.