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[livejournal.com profile] julianyap was the one who had to bring Arthur into it...

A poem from my favorite Arthurian poet:

Hued from the livid everlasting stone
the queen's hewn eyelids bruised my bone;
my eyes splintered, as our father Adam's when the first
exorbitant flying nature round creation's flank burst.

Her hair was whirlwind about her face;
her face outstripped her hair; it rose from a place
where pre-Adamic sculpture on an ocean rock lay,
and the sculpture torn from its rock was swept away.

Her hand discharged catastrophe; I was thrown
before it; I saw the source of all stone,
the rigid tornado, the schism and first strife
of primeval rock with itself, Morgause Lot's wife.

ETA: The rest of Lamorak and Queen Morgause of Orkney, Charles Williams )

NPQiYBM

Feb. 10th, 2009 06:42 pm
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She got the which of the what-she-did
Hid the bell with a blot, she did
But she fell in love with a hominid
Where is the which of the what-she-did?

My favorite SF writer ever!

ETA: "The Ballad of Lost C'Mell," Cordwainer Smith.
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Even people
Who ain't too clever
Can learn to tighten
A nut forever,
Attach one pedal
Or pull one lever!


I was introduced to Ragtime, the musical, by Pandora. It doesn't even try to disguise its blatant and total manipulation of the listener's emotions. So you've got the anti-racism screeds, the stirring ballad of hope (that is crushed! by racism!), the patriotic sentiments, the patriotic sentiments crushed! Crushed! by exploitation of the workers! and so on.

And I just love it. I usually hate stuff like that, because it often doesn't make good art, and to be perfectly honest I'm not sure I would call this good art exactly, but Ragtime does have a heart, and even a soul, underneath the pontificating. Some of it is due to the performers, who are almost all incredibly awesome. Peter Friedman in particular must have his own kids, as all his songs relating to his daughter in the play are just heartbreaking (while his other songs left me relatively unmoved). Some is due to the music. The orchestration in particular is exuberant and playful-- the machine-like percussiveness of "Henry Ford" makes me smile and the brass fanfare in "Journey On" makes my heart leap a little. But the thing is-- musicals are not about lofty ideas and pageantry. They are about human connections between people. And these are the moments that I love: Tateh's compassion for another man on another ship ("May you find what you need") in "Journey On" always makes me a little sniffly, as does the interaction between the kids and parents ("What is your name?" "No name." "That's impossible! everyone has a name, even the little Negro baby who lives in our attic!" "Ssh! Edgar, do not be rude!") in "Nothing Like the City." And then there's "Henry Ford," which is just so very playful-- Ford is a man and a machine and a concept and a religion ("Hallelujah!/ Praise the maker/ Of the Model T") and a driving rhythm all rolled into one, with such musical and metrical humor (for example the above quotation, which rather loses something without the driving beat) that I always smile when I listen to it.

I don't have much to say about the book, by Doctorow, except that I find it a little drab in comparison, perhaps the only time I have ever said this about an adaptation of a book.

Of course, YMMV in spades for this kind of thing. I don't recommend it, necessarily. But I love it madly all the same.
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[livejournal.com profile] julianyap has declared this month National Put Quotes in Your Blog Month. Who am I to argue? I love this kind of stuff. So, all my posts this month will have a quotation in them. From something.

A Caligula... can rule a long time, while the best men hesitate to do what is necessary to stop him, and the worst ones take advantage.

So, let me talk about Farthing (Walton) (which the above quote is not from). I actually liked it, though it sometimes is a little (or, uh, more than a little) heavy-handed in its moralizing (but, hey, lately I've been reading Doctorow and Ayn Rand, so apparently I'm on a kick for heavy-handed political moralizing in my fiction). I liked it because I took immediately to the main character, a woman who tends to start explaining things in the middle-- guess why I liked her?-- and because I just loved her relationship with her (dead) brother. Those were the best parts of the book for me.

Farthing failed a great deal in trying to be both a mystery and a political thriller. It did okay in the second, if you're in the mood for reading about that kind of thing, and did very well at depicting the kind of darkening of worldview that happens gradually enough that you might not notice if you're not directly affected-- but the first was terrible. It's a pleasant surprise when a book you don't think is a mystery, like Harry Potter and the Philosopher's Stone, turns out to be, and a rather annoying disappointment when something you thought was a mystery isn't really (no plot twistiness, no actual mystery plot, really). And the characters of the Evil people served the political ends, not the literary ones, and so were less well drawn than Agatha Christie's, and it's not like she was the queen of nuance. (The character of the mother, in particular, was a cartoon version of the way teenagers think about their mothers.) So-- although I liked it, I can't recommend it unreservedly to someone who is like me. Also, the first sexual entanglings were interesting, but by the fifth one I was like, "is everyone in this book entangled in some irritating way??"

The book from which the above is taken (and which I cite because I woke up the morning after reading Farthing with it in my head) is somewhat more roughly written than Farthing, but in many ways has a rather more nuanced approach to evil (and evil in families/politics in particular).

ETA: Shards of Honor (Bujold). I think half the things that get quoted in our household are Bujold...
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Sorry this took so long. Also, contrary to what I said in the last post, order is not chronological in order of first reading; it's chronological in order of "when this work became important to me."
Answers under the cut )
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All right, one more list, and then back to the regularly scheduled ranting.

Here are ten Quotes That Are Important to Me. I was inspired to do this by a discussion with [livejournal.com profile] nolly-- I suspect that some of these are easier to get (than the last batch) if you are familiar with the work in question, or guessable if you know me, though I consider some of these much more obscure than the last batch. (D took it and got only 3 for sure and guessed another 2.) In chronological order of my first exposure to them:

1. "It is only with the heart that one can see rightly; what is essential is invisible to the eye... You become responsible, forever, for what you have tamed."

2. As I made my way home, I thought Jem and I would get grown but there wasn't much else for us to learn, except possibly algebra.

3. "And though I came to forget or regret all I have ever done, yet would I remember that once I saw the dragons aloft on the wind at sunset above the western isles; and I would be content."

4. In speaking of this desire for our own faroff country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you - the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both.

5. (for extra credit, what is the poem based on)
Thou indeed art just, Lord, if I contend
With thee; but, sir, so what I plead is just.
Why do sinners' ways prosper? and why must
Disappointment all I endeavor end?

6. ...Though Camelot is built, though the king sit on the throne,
yet the wood in the wild west of the shapes and names

probes everywhere through the frontier of head and hand;
everywhere the light through the great leaves is blown
on your substantial flesh, and everywhere your glory frames.

7. And straightway the father of the child cried out, and said with tears, Lord, I believe; help thou mine unbelief.

8. Tri lloneit prytwen yd aetham ni idi.
nam seith ny dyrreith o gaer sidi.

And because it's not fair otherwise, here's the proper translation:
Three fullnesses of Prydwen we went into it.
Except seven, none rose up from the Fortress of the Mound.

And to be perfectly fair, here's the "popular" translation (and the one I knew until my post-college-year):
Three shiploads of Prydwen we went to it;
except for seven, none returned from Caer Siddi.

9. "...libero, dritto e sano e' tuo arbitrio,
e fallo fora non fare a suo senno:

per ch'io te sovra te corono e mitrio."

("...Here your will is upright, free, and whole,
and you would be in error not to heed

whatever your own impulse prompts you to:
lord of yourself I crown and mitre you.")

10. "The one thing you can't trade for your heart's desire is your heart."

Answers, with possibly way too much commentary, in a couple of days.

(edited to change dumb reference to wrong person, sorry...)

Answers

Aug. 29th, 2007 05:48 pm
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Answers to previous post )
This was fun!

ETA: I forgot to put this in the post! [livejournal.com profile] janewilliams20 told me an awesome story about (1) - it's in the comments, but I've added it above as well.
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From [livejournal.com profile] lightgetsin: Ten references I expect my nearest and dearest to get. I did this by making a record of things said in our apartment over the last week, so it's less of a top ten list than it is a random sampling...

1. "Modified rapture!" (Double points for "Oh joy, oh rapture!")
2. "Never trust a god who grins all the time and wears a top hat, that's my motto." "Is it? That's a strange motto."
3. "We have top men working on it now." "Who?" "Top. Men."
4. They departed into their own country another way.
5. "My days of taking you seriously are certainly coming to a middle."
6. "The Horse! I have been asking for nothing else for an hour!" [This may be a conflation of two quotations from the same source]
7. "I don't want all the marbles. I don't want any of the marbles. It's death for me to be caught with marbles in my possession, remember?"
8. "I'm retired!" "As am I, Robert, as am I. And yet... here we are."
9. ...a larj swety slof...
10. She took the point at once, but she also took the spoons.

No one is more surprised than I to find the author for #9 on the list.

Also, because I like to go to 11 for that extra push off the cliff, the email version (D would get neither of these):

11. "Don't you forget me, - -." "I would never."
12. "That girl is slow!"

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