selenak: (Carl Denham by Grayrace)
selenak ([personal profile] selenak) wrote in [personal profile] cahn 2021-03-16 06:01 pm (UTC)

Der König und sein Narr: Screencaps

And now for the screencaps. Because Wolfgang Keeling and Götz George have so many expressions, and also there is some really neat detail in there because Stade has read Morgenstern, and if you want to see the Potsdam Oboists, look no further.


Gundling at the start of the movie, when he just lost his job as F1's historian:

Historian Gundling

Gundling meets FW for the first time

First Meeting

FW without a wig

FW without wig

FW with a wig, later in the Tobacco College


FW with wig

Gundling and the court fool. Remember the costume of the fool, we'll see it again.

Gundling and the Fool

Gundling's first return after his first escape attempt. FW has just told him he gets another title, Gundling says "Ihr erhöht mich, um mich zu erniedrigen".

Return

Remember, FW fired the court musicians except for orchestra leader Pepusch, then told him to train some Potsdam Giants to play. This is the result, and they're even playing Händel!

Pepusch and Band

Another neat detail is that FW prays before he eats. They're not named in the movie, unlike in the novel where they are named, but those are Grumbkow and Seckendorff next to him:

Praying

FW and Grumbkow, whom Gundling in the novel characterizes as always having his eyes half closed and impossible to read.

FW and Grumbkow

Gundling's second escape attempt leads him to Breslau, and the library where his old study buddy works is so beautiful I had to include it:

Breslau

But it's no use, he gets kidnapped back. BTW, I was wrong. The non fictional biography has arrived, and FW did indeed sent the Old Dessauer himself to retrieve him. Upon his return, FW makes Gundling Master of Ceremonies, an office that hadn't been fulfilled anymore since he fired Besser, and now Gundling has to wear this get up at court functions you'll see below. The first time the audience sees him in it, he meets his future wife, Anne de Larrey , for the first time. This is the moment when he first looks at her and she looks back and he is so sure he knows what she must think:

Gundling meets Anne

But Anne is a good observer and watches him being kind to one of the old footmen who had to stand all the time; Gundling uses his Master-of-Ceremonies title to order the old guy to sit down. This is Anne:

Anne de Larrey

Here's a screenshot where you see the full get up as Gundling has to entertain FW and the rest:

The full getup


King and Fool

Next we get the only scene in the movie where you see Hohenzollerns that are not FW. It's a family walk in the park Gundling gets invited to, featuring FW, pregnant SD, Fritz and Wilhelmine. Since Fritz and Wilhelmine as children keep running to and thro, it's hard to get them in the same shot, so here we go:

Family-Fritz


Family-Wilhelmine


Family Walk

Gundling and Anne fall in love:

Falling in love

Which means for the first time since a loooong while, Gundling shows up at the tobacco parliament happy:

Tobacco Parliament

Naturally, it can't last. Here he is reading the "Voltaire off to England" news:

Gundling reads Voltaire

He uses that excuse to quote some Voltairian zingers at at guest Rottembourg (the one in white) that apply not just to French monarchies. The Tobacco Parliament is not amused:

Not amused

Really not amused:

Rottembourg


See above for how this ends for Gundling. Next time he is at the Hellfire Club, err, the tobbacco college, it's just him and FW at first. FW tells him he's found a good potential successor for Gundling:

I found your successor

Last mindgame

Enter David Fassmann, trying to win FW by insulting Gundling.

Fassmann introduced

Gundling loses it, takes the heating pan and starts to beat at Fassmann.
Winning

This is where he hits his final rock bottom. Afterwards, he starts to drink from all the bottles around.

Rock Bottom

Fassmann holds the FW penned mocking funeral speech:

Funeral speech

Surprisingly, he doesn't look happy. It's just a small part, but the actor is good. Check how he conveys with his expression that it dawns on Fassmann just what kind of position it is that he has won:

Fassmann realises

The oboists play (btw, this is way more dignified than how the actual funeral went):

Funeral Music

The barrel-coffin:

Fass


And the end (that's Anne and her niece and nephew standing there behind the Giants):


Funeral

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