I haven't watched or heard anything from Ludwig 2 yet, though I'm vaguely curious, between Konstantin Wecker's involvement and me living in Munich. But if you want to read a spoof on how a Frederician themed musical NOT censoring the gay would go, I offer you Lehndorff! The Musical.
"Forget my sister and run away with me
You'll laugh, but rl Fritz did show such a reaction, though not to imaginary Wilhelmine/Katte, but to actual Voltaire-flirts-with-Ulrike. More here.
Being somewhat more invested in the siblings than in the boyfriends, I have to say that when Fritz replied to Musical!Katte's "but what about Wilhelmine, are we just leaving her behind?" objections with "I'll write her a letter, she'll understand", I thought, yeah, no. I mean, we'll never know how much or little Wilhelmine knew in advance about this particular escape plot, but she definitely knew about the general idea, wasn't happy about it, and Fritz wasn't happy hat she wasn't happy. Also, he did say goodbye, of sorts.
(I'm with Mildred that while neither Fritz nor Wilhelmine would have admitted this to themselves, there must have been some mutual resentment festering beneath all the other stuff, on his part that she kept trying to dissuade him from escaping an inreasingly horrible situation, and on her part that he was willing to leave her in said situation.)
Back to the musical, and speaking of singing abilities, considering that Katte is largely a speaking role (since he only sings as part of the "This is our time" trio which is largely carried by Fritz and Wilhelmine, and then a bit with Wilhelmine later), I wonder whether this is because they didn't want to have too many tenors?
Re: Friedrich: Triumph und Tragödie
"Forget my sister and run away with me
You'll laugh, but rl Fritz did show such a reaction, though not to imaginary Wilhelmine/Katte, but to actual Voltaire-flirts-with-Ulrike. More here.
Being somewhat more invested in the siblings than in the boyfriends, I have to say that when Fritz replied to Musical!Katte's "but what about Wilhelmine, are we just leaving her behind?" objections with "I'll write her a letter, she'll understand", I thought, yeah, no. I mean, we'll never know how much or little Wilhelmine knew in advance about this particular escape plot, but she definitely knew about the general idea, wasn't happy about it, and Fritz wasn't happy hat she wasn't happy. Also, he did say goodbye, of sorts.
(I'm with Mildred that while neither Fritz nor Wilhelmine would have admitted this to themselves, there must have been some mutual resentment festering beneath all the other stuff, on his part that she kept trying to dissuade him from escaping an inreasingly horrible situation, and on her part that he was willing to leave her in said situation.)
Back to the musical, and speaking of singing abilities, considering that Katte is largely a speaking role (since he only sings as part of the "This is our time" trio which is largely carried by Fritz and Wilhelmine, and then a bit with Wilhelmine later), I wonder whether this is because they didn't want to have too many tenors?