(Uh, yeah, surprising no one, this is a bunch of words not solely about the Chernow bio, but a rather a lot of opinions on how Chernow's bio relates to the musical.)
4/5. I FINALLY finished the Chernow biography of Alexander Hamilton, not just so I could write this post on it, but I could easily have taken another month otherwise. It's a very good and readable book, but it's also a very chewy
book — it's not dense, I didn't have to read things twice or wait until I was in a super cognitive mood, like I did for Hild
, but it's definitely the kind of book where I could read a couple of pages and then either go on or put it down for a couple of days.
Anyway! It was awesome
and I totally understand how Miranda put this book down and was like "…surely someone's written a musical about this guy, right? Right???? No?
I'm not going to throw away my shot
Then I'll do it."
Chernow is clearly a fan of Hamilton, but this doesn't extend to thinking Hamilton can do no wrong. Chernow doesn't make excuses or try to rugsweep when his subject does something incredibly stupid
— indeed his frustration is almost palpable. But more of that later on.
It's really really
interesting to read after being obsessed with the musical. You know how Alexander Hamilton, in the musical, is this sort of archetypal hero who starts from nothing, gets caught up in all these Events, attains the pinnacle of success, and then falls from it? The historical Alexander Hamilton is all these things turned up to eleven
. I mean, Miranda didn't exaggerate. If anything he downplayed
Hamilton. If he'd also added that the boat Hamilton took to America literally caught on fire
(I laughed out loud at this) and that, far from being a little gawky and awkward as an adolescent as he is in the musical, he was in fact possessed of an extreme poise and confidence, we wouldn't even have believed it, right? He would have come across as a complete Mary Sue, right? …And yet.( Is anyone surprised that this got long? No. )
Anyway! Highly recommended, whether or not you like or have any interest in the musical. If you are a huge fan of the musical-as-history, I would go so far as to say that this is a must-read so that you don't go around telling people that Alexander Hamilton punched the Princeton bursar (he didn't) — although the good folks at genius.com have annotated the lyrics so that you can get a pretty good idea for what's history and what's not.